Tree in Wet Sand, Hunting Island State Park, SC
Bernabe used a 5-stop neutral-density filter on his 24–105mm f/4L Canon EF IS zoom to enable a 30-sec exposure, rendering sky and sea a smooth palette of pastels. The effect concentrates the viewer’s eye on the tree. He shot with a Canon EOS Mark II at f/18 at ISO 100. Richard Bernabe
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Autumn Maples, Great Smoky Mountains National Park

Autumn Maples, Great Smoky Mountains National Park

Canon EOS 5D Mark II with 70–200mm f/4L Canon EF lens panned vertically during a 1-sec exposure at f/18, ISO 800.
Tree in Wet Sand, Hunting Island State Park, SC

Tree in Wet Sand, Hunting Island State Park, SC

Bernabe used a 5-stop neutral-density filter on his 24–105mm f/4L Canon EF IS zoom to enable a 30-sec exposure, rendering sky and sea a smooth palette of pastels. The effect concentrates the viewer’s eye on the tree. He shot with a Canon EOS Mark II at f/18 at ISO 100.
Snow Geese, Pocosin Lakes National Wildlife Refuge, NC

Snow Geese, Pocosin Lakes National Wildlife Refuge, NC

Panned with an EOS 5D Mark II and 100–400mm f/4.5–5.6L Canon EF IS lens, exposure 1/20 sec at f/11, ISO 50.
Clouds and Fog at Twilight, Clingmans Dome, Great Smoky Mountains National Park

Clouds and Fog at Twilight, Clingmans Dome, Great Smoky Mountains National Park

Bernabe again employed an ND filter, here a 3-stop version, to allow an extra-long exposure. He used a 70–200mm f/2.8L Canon EF IS lens on his Canon EOS 5D Mark II to make the image at 20 sec and f/20, ISO 50.
Porter’s Creek, Great Smoky Mountains National Park

Porter’s Creek, Great Smoky Mountains National Park

Bernabe used a polarizing filter on a 16–35mm f/2.8L Canon EF lens to cut reflections in the water. Exposure in a Canon EOS 5D Mark III: 3.2 sec at f/18, ISO 100.