The best Canon lenses for 2023

There are a lot of Canon lenses in the world. In 2021, the company announced that it had manufactured more than 150 million EF and RF lenses for its DSLRs and mirrorless cameras. With that kind of prolific output over several different lines, it can be challenging to hunt down the Canon lens that best suits your shooting style (and your budget). Fortunately, this list of the best Canon lenses will help you find exactly what you’re looking for. 

• Best overall: RF 50mm F1.2 L USM
• Best for portraits (high-end prime): RF 85mm F1.2 L USM DS
• Best for portraits (budget prime): RF 50mm F1.8 STM
• Best for portraits (high-end zoom): RF 70-200mm F2.8 L IS USM
• Best standard zoom (high-end): RF 24-70mm F2.8 L IS USM
• Best standard zoom (budget): RF 24-105mm F4-7.1 IS STM
• Best wide-angle (high-end zoom): RF 15-35mm F2.8 L IS USM
• Best wide-angle (high-end prime): EF 35mm f/1.4L II USM
• Best telephoto zoom (budget): RF 100-400mm F5.6-8 IS USM
• Best macro: RF 100mm F2.8 L MACRO IS USM

How we chose the best Canon lenses

I have been writing about, reviewing, and using cameras as a professional photographer for nearly two decades. I’ve shot Canon gear as my personal kit for the majority of that time and have personally reviewed or at least shot with just about every lens on this list. 

To find the best Canon lenses, I have broken some categories up into high-end and budget options because the price differences can be huge. While Canon doesn’t really make any truly bad lenses (at least at the moment), this list prioritizes models that offer exceptional image quality and durability.

You’ll also notice that almost every lens on the list relies on the Canon RF mount, which is native to its R-series mirrorless cameras. While there are still plenty of excellent EF-mount DSLR lenses out there, the RF glass represents the present and future of the company’s offerings. I’ll mention some older EF options along the way, which can be great if you have DSLRs you still want to use or you’re just looking to save some cash. 

The best Canon lenses: Reviews & recommendations

The right Canon lens for you will depend on what you will be using the lens for and what style you are aiming for. An ultra-wide angle prime lens isn’t the best choice for wildlife or portrait photography, for example. Below you’ll find lenses suitable for just about every genre, so no matter what you want to create, you’ll find an option here for you.

Best overall: RF50mm F1.2 L USM

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Why it made the cut: Canon put a ton of engineering into its flagship standard prime. The result: A lens with immaculate sharpness, beautiful rendition, and almost zero distortion.

Specs

• Lens mount: Canon RF
• Aperture range: f/1.6 – f/16
• Image stabilization: No
• Filter size: 77mm
• Minimum focus distance: 1.31 feet
• Weight: 2.09 pounds
• Dimensions: 3.54 x 4.25 inches

Pros

• Almost no distortion
• Extremely sharp, even when shooting wide open
• Solid build with weatherproofing
• New coatings fight flare
• Beautiful bokeh

Cons

• Expensive
• Big and heavy compared to older versions

Canon built this flagship 50mm prime lens to show off what its full-frame R-series cameras can do. It’s not just one of the best Canon lenses. It’s easily one of the best modern lenses I have ever used. 

50mm lenses aren’t particularly prone to distortion, but you’ll find almost none in this lens. It focuses quickly, quietly, and accurately. While you will notice some vignetting when shooting wide open, it’s not overpowering and can even work in your favor if you’re shooting portraits or trying to isolate a subject. As you stop the lens down, the vignette disappears, and it’s sharp and bright across the entire frame. 

Canon’s new Air Sphere coating promises to fight flare and aberration. In my experience, it does a fantastic job. Even in very high-contrast areas, the lens keeps unwanted effects to a bare minimum. 

All that performance does come with costs, however. At $2,299, it’s a very expensive lens. It’s also considerably longer and heavier than the previous EF version. But, while it’s not exactly compact or light, it doesn’t feel overly heavy or humongous when attached to a full-frame body. 

Yes, this lens is an investment, but it’s also a benchmark offered by the company to maximize its cameras’ capabilities. That’s worth the cost if you can swing it.

Best for portraits (high-end prime): RF85mm F1.2 L USM DS

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Why it made the cut: This classic focal length offers a special coating that smooths out bokeh for more pleasing backgrounds. 

Specs

• Lens mount: Canon RF
• Aperture range: f/1.2 – f/16
• Image stabilization: No
• Filter size: 82mm
• Minimum focus distance: 2.79 feet
• Weight: 2.63 pounds
• Dimensions: 4.06 x 4.62 inches

Pros

• Unbeatable bokeh thanks to its fast aperture and DS coating
• Very sharp
• Built-in control ring in addition to the focus ring

Cons

• Big
• Expensive

Fast 85mm lenses have been a staple for portrait photographers for decades. The short telephoto focal length masterfully avoids perspective and optical distortion while keeping the subject at a comfortable working distance that doesn’t feel too intimate or removed from the process. Canon’s flagship 85mm f/1.2 lens costs more than most of the cameras in its lineup, but it delivers unmatched image quality in this space. 

Like the 50mm f/1.2, it’s absurdly sharp, even when shooting wide open. One of the big challenges when shooting with it is to not go overboard shooting at f/1.2. The depth of field is so shallow that it can look otherworldly or dreamy. The DS in its name stands for Defocus Smoothing. An additional coating makes out-of-focus highlights in the frame appear softer and more subtle, which makes them less likely to distract viewers from the image’s subject. 

The body includes a function ring in addition to the focus ring, and the whole thing is weatherproof in line with Canon’s L-series lens specs. Again, this is a big, heavy lens, but it provides an aesthetic and image quality that you won’t get with anything else.

Best for portraits (budget prime): RF50mm F1.8 STM

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Why it made the cut: The nifty fifty provides a fast aperture and a standard angle of view which works well for loose portraits. It’s also very cheap.

Specs

• Lens mount: Canon RF
• Aperture range: f/1.8 – f/22
• Image stabilization: No
• Filter size: 43mm
• Minimum focus distance: 11.8 inches
• Weight: 5.6 ounces
• Dimensions: 2.7 x 1.6 inches

Pros

• Better image quality than its price suggests
• Light
• Compact
• Cheap
• Relatively simple lens design

Cons

• Plastic construction
• Only one control/focus ring

For less than $200, this lens is a no-brainer for pretty much anyone with a Canon RF-mount camera. It weighs a quarter of a pound, is less than three inches long, and relies on Canon’s STM focusing mechanism for quick, quiet operation. It also goes down to f/22. That’s smaller than some of the high-end models, which only go to f/16. 

It’s adequately sharp and demonstrates some relatively easy-to-fix vignetting when shooting wide open. Stop it down to f/2.8 and beyond, however, and it gets extremely sharp and bright across the frame. 

This is a plastic lens, so don’t expect heavy weather sealing for durability, but at this price, everyone should have one (if they don’t already have a higher-end standard prime).

Best for portraits (high-end zoom): RF 70-200mm F2.8 L IS USM

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Why it made the cut: The 70-200mm zoom is an essential kit for many pros, and this version is even smaller and lighter than its predecessors.

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/32
• Image stabilization: Yes
• Filter size: 77mm
• Minimum focus distance: 2.3 feet
• Weight: 2.35 pounds
• Dimensions: 3.54 x 5.75 – 8.03 inches

Pros

• Compact compared to older models
• Very sharp
• Five stops of image stabilization
• Light

Cons

• Barrel extends when you zoom, which affects balance

You can shoot just about any kind of portrait you can think of with a 70-200mm lens. Canon’s latest version of this popular telephoto zoom lens takes full advantage of the RF mount. It is both smaller and lighter than the latest high-end version built for DSLRs. 

It focuses down to 2.3 feet, so even though it’s a telephoto lens, you won’t be standing too far away from your subject. This is an L-series lens, so it gets Canon’s most advanced tech, including its high-end coatings to fight flare and aberration. 

If you’ve shot with old versions of the 70-200mm, you’re probably used to the lens barrel staying the same length throughout the focal range. However, this version extends as it zooms, allowing it to take up much less bag real estate when you’re in transit. 

Best standard zoom (high-end): RF 24-70mm F2.8 L IS USM

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Why it made the cut: The most versatile lens around has gotten an update for the mirrorless era.

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/22
• Image stabilization: Yes
• Filter size: 82mm
• Minimum focus distance: 8.27 inches
• Weight: 1.98 pounds
• Dimensions: 3.48 x 4.95 – 6.06 inches

Pros

• Very versatile focal range
• Extremely sharp
• Solid weathersealing
• Optical image stabilization
• Control ring in addition to zoom and focus rings

Cons

• Bulky
• Expensive

If you need one lens to do it all, then the 24-70mm f/2.8 IS fits the bill. The range goes from wide-angle to short telephoto, so it’s capable of everything from sweeping landscapes to straight-up headshots. 

The focusing mechanism relies on Canon’s latest Nano USM motors, so it moves very quickly and silently. And the nine-blade circular aperture creates pleasing bokeh across the frame at every focal length. 

Lens makers didn’t typically include image stabilization in standard zooms like this one until recent generations. Here, you get up to five stops of handheld shake reduction thanks to the built-in system. 

This is a lens built for work. You can stick it on the camera and leave it there for pretty much any situation, which justifies its high price. 

Best standard zoom (budget): RF 24-105mm F4-7.1 IS STM

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Why it made the cut: Despite its relatively slow maximum aperture, this standard-to-short-telephoto zoom is right at home for shooting in bright situations.

Specs

• Lens mount: Canon RF
• Aperture range: f/4 to f/7.1 – f/40
• Image stabilization: Yes
• Filter size: 67mm
• Minimum focus distance: 5.16 inches
• Weight: 13.93 ounces
• Dimensions: 3.02 x 3.5 – 5.45 inches

Pros

• Light for its range
• Quick, quiet focusing
• Relatively compact
• Affordable

Cons

• Very slow maximum aperture makes it better for mostly outdoor shooting

Not everyone needs a super-fast maximum aperture for shooting in low light. If the majority of your work happens in relatively bright locations like sports fields or any outdoor setting, this lens provides a very solid focal range for a relatively low price. 

It has a relatively complex optical design, so it’s capable of pleasing blur and excellent sharpness across the focal range. It’s plastic, so it’s not meant for harsh environments, but that does make it relatively light and compact. That’s essential for a good walk-around lens. 

Built-in image stabilization provides up to five stops of handheld shake reduction. That can help compensate for the slow maximum aperture if you’re trying to shoot handheld. 

Best wide-angle (high-end zoom): RF 15-35mm F2.8 L IS USM

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Why it made the cut: This focal range has been a staple for photojournalists and other working pros for a long time. 

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/22
• Image stabilization: Yes
• Filter size: 82mm
• Minimum focus distance: 11.02 inches
• Weight: 1.85 pounds
• Dimensions: 3.48 x 4.99 inches

Pros

• Versatile wide-angle field of view
• Very low distortion considering the wide-angle nature
• Top-end dust- and weather-proofing
• Excellent overall image quality

Cons

• Expensive
• IS may be unnecessary for some

Dig into a pro photojournalist’s camera bag, and there’s a good chance you’ll find a zoom in this range. These wide-angle zooms are great for getting close to subjects or backing up to capture wide-establishing shots. It’s also one of our favorite lenses for real estate, thanks to its overall impressive image quality.

Canon rebuilt this popular zoom specifically for RF-mount mirrorless cameras. Despite its wide angle of view, this lens keeps distortion remarkably well-controlled, even when you’re zoomed all the way out to 15mm. That’s a big deal for shooting architecture or any other subject that doesn’t look good with wacky funhouse proportions. 

It’s part of Canon’s L-series, so we expect a rugged build, but this lens goes beyond a typical L model when it comes to keeping out moisture and dust. 

The image stabilization system relies on data from both the lens and the body to try and counteract camera shake. It’s a very effective system, but it may be overkill for some shooters who don’t need IS on such a wide lens very often. Still, it’s nice to have it when you need it. 

Best wide-angle (high-end prime): EF 35mm f/1.4L II USM

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Why it made the cut: Until Canon rolls out a high-end wide-angle prime for the RF mount, this excellent EF-mount version reigns.

Specs

• Lens mount: Canon EF
• Aperture range: f/1.4 – f/22
• Image stabilization: No
• Filter size: 72mm
• Minimum focus distance: 11.02 inches
• Weight: 1.67 pounds
• Dimensions: 3.17 x 4.15 inches

Pros

• Extremely sharp
• Low distortion
• Beautiful color reproduction

Cons

• Still an EF mount, so you’ll need an adapter on a mirrorless camera

This has been one of my primary lenses since it debuted and it remains one of the best Canon lenses in the lineup. It’s an EF lens, which means it’s meant for DSLRs, but it works flawlessly on mirrorless cameras with the Canon EF-EOS R adapter. Canon currently doesn’t offer much in the way of a high-end, wide-angle prime for the RF mount, so this is currently the best bet. 

This is one of the later L-series lenses to show up on the scene, so it has modern features like Canon’s SWC coating and BR optics to fight off flare and aberrations. It’s sharp throughout the aperture range and allows for shooting at f/1.4 with impressive detail. It does vignette some when shooting wide open, but I often think that works in its favor from an aesthetic perspective. It’s an all-around awesome lens that will serve you well for years. 

Best telephoto zoom (budget): RF 100-400mm F5.6-8 IS USM

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Why it made the cut: This ultra-telephoto zoom offers a lot of reach for a very reasonable price.

Specs

• Lens mount: Canon RF
• Aperture range: f/5.6 to f/8 – f/32 to f/45
• Image stabilization: Yes
• Filter size: 67mm
• Minimum focus distance: 2.9 feet
• Weight: 1.4 pounds
• Dimensions: 3.1 x 6.5 inches

Pros

• Very affordable for the class
• Comparatively lightweight
• Compatible with teleconverters
• 0.41x magnification ratio

Cons 

• Maximum aperture isn’t very bright

Long telephoto zoom lenses typically cost a fortune, putting them out of reach for most people. But this Canon offering manages to come in under $700 while still offering a 100-400mm range. It’s also very lightweight for such a lens, weighing just 1.4 pounds. That makes it much easier to carry with you on hikes in order to capture wildlife.

Of course, with the budget-friendly price comes a few downsides. Most notable is the narrow maximum aperture. It tops out at f/5.6, and when you zoom all the way in, that drops to f/8. It definitely won’t be great in low-light situations when trying to handhold the lens as a result. But it does offer optical image stabilization to reduce up to 5.5 stops of camera shake, which is a big advantage.

This 100-400mm lens offers good image quality, although with some softness when shooting at either end of the aperture range. It has surprisingly well-controlled fringing and ghosting for a lens of this price. The autofocus isn’t as precise or fast as more expensive lenses, but for most people, it will keep up just fine. And it’s compatible with Canon’s Extender RF 1.4x and Extender RF 2x teleconverters if you want even more reach.

Best macro: RF 100mm F2.8 L MACRO IS USM

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Why it made the cut: If you want to get close, this is the highest-quality way to do it. 

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/32
• Image stabilization: Yes
• Filter size: 67mm
• Minimum focus distance: 10.2 inches
• Weight: 1.6 pounds
• Dimensions: 3.2 x 5.8 inches

Pros

• 1.4:1 magnification gets extremely close
• Up to eight stops of shake reduction with some cameras
• SA control can control the appearance of bokeh to match the scene and subject

Cons 

• 100mm focal length may feel long

If you want true macro performance, then this is the Canon model to check out. It embraces the classic 100mm macro focal length and provides a 1.4:1 magnification ratio, meaning images will render larger on the image sensor than they are in real life. That’s extremely close focusing. 

Keeping the camera steady can be tricky when shooting close, so Canon equipped this lens with a built-in image stabilization system. Combined with a body like the Canon R5, it can provide a total of up to eight stops of shake reduction when shooting handheld. 

In addition to its normal controls, the lens also sports a spherical aberration control ring, which allows photographers to control the appearance of the bokeh in every image. It can render out-of-focus highlights as clearly defined spheres or mushy blobs of light, depending on which fits your frame better. 

Things to consider when shopping for the best Canon lenses

Where are all the EF lenses?

Sadly, Canon has begun the process of discontinuing EF lenses meant for DSLR shooting. RF lenses represent the foreseeable future in the Canon stable. There are still some very excellent EF-mount lenses on the market right now (including the 35mm f/1.4 on this list), but we mostly recommend buying native RF lenses for your mirrorless camera if you want to get the most out of them. 

Prime vs. zoom

You should have a general idea of what focal length you want before you go out and buy a lens. Do you need something wide or something on the telephoto side of things? Once you have that figured out, it’s time to weigh primes against zooms. 

Primes are typically smaller, provide superior overall image quality, and offer faster maximum apertures. But, they also don’t move from their single focal length. So, if you want to shoot an up-close shot with that 35mm prime, you’re going to have to get your physical body pretty close to it. 

Zooms offer much more flexibility, but they’re typically bigger, have slower maximum apertures, and suffer a bit on the overall image quality front when compared to primes. They also typically involve more moving parts, so they can require more frequent and complex service.

Maximum aperture

A lens’s aperture lets light into the camera so the sensor can capture it. The wider that aperture opens, the more light it can let in at once. You’ll typically find aperture expressed as an F number, like f/2.8 or f/8. You don’t really need to know the mathematical formula behind that number; just know that a smaller f-number translates into a wider aperture. A lens open to f/2.8, for example, lets in twice as much light (or one stop) as a lens set to f/4. 

Most zooms can only open to f/2.8 at their fastest. Primes can go much lower, as demonstrated by the f/1.2 lenses on this list. If you shoot a lot in low-light, or you want a lot of blurry bokeh in the background of your photos, spring for the wider apertures. If you shoot in mostly bright conditions or use a lot of flash, a slower aperture may be just fine and save you some money. 

Image stabilization

Canon only started putting image stabilization into its camera bodies with the R5 and R6. Before then, it relied entirely on lens-based IS. Some lenses still offer built-in optical image stabilization, which works in tandem with a camera’s built-in system to create some truly impressive shake reduction. Lenses will often promise up to five stops of shake reduction, but that’s under ideal circumstances and shouldn’t necessarily sway you to make a purchase. 

Size and weight

High-performance lenses tend to land on the large and heavy side of the roster. They rely on metal bodies and ample glass elements to perform up to pro standards. Generally, faster apertures and wider zoom ranges will translate into bigger, heavier lenses. Ideally, you can find a balance between performance and packability. 

FAQs

Final thoughts about the best Canon lenses

• Best overall: RF 50mm F1.2 L USM
• Best for portraits (high-end prime): RF 85mm F1.2 L USM DS
• Best for portraits (budget prime): RF 50mm F1.8 STM
• Best for portraits (high-end zoom): RF 70-200mm F2.8 L IS USM
• Best standard zoom (high-end): RF 24-70mm F2.8 L IS USM
• Best standard zoom (budget): RF 24-105mm F4-7.1 IS STM
• Best wide-angle (high-end zoom): RF 15-35mm F2.8 L IS USM
• Best wide-angle (high-end prime): EF 35mm f/1.4L II USM
• Best telephoto zoom (budget): RF 100-400mm F5.6-8 IS USM
• Best macro: RF 100mm F2.8 L MACRO IS USM

Canon offers one of the biggest lens selections you’ll find in a camera system, and navigating it can be tricky. The newer mirrorless cameras play nice with newer RF-mount lenses as well as DSLR-oriented EF-mount lenses with help from an affordable adapter. The RF 50mm f/1.2 represents a fantastic benchmark for RF lens performance if you can stomach the cost. But the best Canon lenses run the gamut from complex zooms to simple primes and everything in between. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.