While we spend most of our time here at PopPhoto nerding out about the latest and greatest photography gear, we’re also suckers for truly old-school photo content. This fascinating video outlines what it was like to be a professional photographer in 1946.

Obviously, the industry, technology, and, well, pretty much everything has changed quite a bit back then. But some things do sound familiar. For instance, it’s weird to hear that there was an abundance of people in the profession even back then. The tools were obviously much less accessible than they are now, but even back then, people wanted to get in on the pro photography game.

Videos like this are truly a time capsule, and I have to wonder what it will feel like for people in 2100 to look back on the state of the industry in 2023. Our precious megapixels will likely feel so quaint.

The post This vintage video shows what it was like to be a pro photographer in 1946 appeared first on Popular Photography.

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Best overall		Canon EOS R6 Mark II		SEE IT	The R6 Mark II offers the right mix of features and price for most people.
Best budget		Canon EOS RP		SEE IT	The EOS RP is the most affordable full-frame camera you can buy.
Best for video		Sony A7S III		SEE IT	This Sony camera is a true hybrid powerhouse.

Sensor size isn’t everything, but full-frame cameras do have their advantages. A little extra silicon real estate certainly doesn’t hurt when it comes to image quality and depth of field. That’s what makes full-frame cameras so popular with photographers and video shooters. The phrase “full-frame” means that the sensor inside the camera is the same size as a single photo taken on 35mm film. This familiar size means that standard lenses will produce the angle of view you’d expect if you were shooting with an older film camera. Full-frame cameras are not all created equal, though; different options are best for different situations and types of photographers. Below, you’ll find the best full-frame cameras for a range of use cases so you can choose one that fits your needs.

• Best overall: Canon EOS R6 Mark II
• Best upgrade from a smartphone: Sony a7C II
• Best DSLR: Nikon D850
• Best for beginners: Nikon Z5
• Best for video: Sony a7S III
• Best budget: Canon EOS RP
• Best full-sized for pros: Nikon Z9
• Best regular-sized for pros: Sony A1
• Best for sports: Canon EOS R3

How we chose the best full-frame cameras

The writers and editors at Popular Photography have been testing and reviewing cameras for decades and have had hands-on time with almost every camera on this list. This group was compiled through a mix of first-hand testing, spec comparisons, editorial reviews, and user feedback. We started with a roster in the dozens and whittled it down to these selections based on features like autofocus performance, resolution, video capabilities, price, and more. 

The best full-frame cameras: Reviews and Recommendations

Just because a camera has a big chip inside doesn’t make it a winner. We curated this list of the best full-frame cameras by selecting models best suited for different kinds of photographers and content creators. And while upgrading to full-frame is certainly no replacement for hard work and talent, it also doesn’t hurt.

Best overall: Canon EOS R6 Mark II

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Why it made the cut: It’s the right balance of size, price, and resolution for the majority of advanced shooters.

Specs  

• Resolution: 23.2 megapixels
• Sensor size: Full-frame 
• Lens mount: Canon RF
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.3 pounds
• Dimensions: 5.4 x 3.9 x 3.5 inches

Pros 

• Excellent balance of features
• Advanced video features
• Fantastic image quality
• Tough build
• Great for capturing action and sports

Cons

• Not as many tactile controls as some would like

The Canon EOS R6 Mark II is a fantastic do-it-all camera with a 24.2-megapixel full-frame sensor. It inherited the more expensive EOS R3’s autofocus, though the R6 Mark II won’t match that performance since it doesn’t feature a stacked sensor. Even still, Canon’s Dual Pixel CMOS AF II autofocus is superb, with fast and accurate results. One feature we especially love is the Auto Subject Tracking mode, which means you don’t need to continuously dig in the menus if you shoot a range of subjects. You can even change the sensitivity of when the camera should switch between subjects, which is very handy. 

The R6 Mark II sees a significant upgrade from the first iteration in burst shooting. It’s capable of  12 frames per second (fps) with the mechanical shutter and a speedy 40 fps with the electronic shutter. The 40 fps even works with 12-bit raw files, which is impressive. It made photographing fast-action sports such as diving and mountain biking much easier.  

Canon built this camera as a hybrid machine, and as such, it offers excellent video specs as well. It’s capable of 4K 60p full-width internal recording, which is oversampled from 6K. It can also handle 6K 12-bit raw external recording. The Detect Only AF keeps focus on your subject, even if they come from or go behind an obstacle like a wall, which results in smoother videos with limited focus shifting. 

As we would expect from a Canon camera, the R6 Mark II offers excellent all-around image quality with plenty of dynamic range for more flexibility when editing. It’s a little more expensive than our best beginner pick but packs some compelling features that make it a better fit for high-end video or high-speed sports shooting. If you’re looking for more resolution, you can step up to the Canon EOS R5, which offers 45 megapixels of resolution and more tactile controls, but it also costs considerably more.

To read more about the Canon EOS R6 Mark II, check out our full review.

Best upgrade from a smartphone: Sony a7C II

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Why it made the cut: The simplified layout and lack of viewfinder make it an easy jump from a smartphone, but a huge leap in image quality.

Specs 

• Resolution: 33 megapixels
• Sensor size: Full-frame
• Lens mount: Sony E
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.1 pounds
• Dimensions: 4.9 x 2.8 x 2.5 inches

Pros 

• Simple controls
• Compact body
• Excellent image quality

Cons

• More advanced shooters may miss the built-in viewfinder

Searching for the best full-frame cameras for your average person? The Sony a7C II is essentially a more compact version of the ultra-popular Sony a7 IV. It boasts a 30-megapixel image sensor with seven stops of stabilization in an extremely compact body. The small size makes it an ideal choice for world travelers or anyone who doesn’t want to lug around a bulky camera.  

The a7C II offers 10 fps continuous shooting with Sony’s hybrid autofocus system, including eye detection. Video shooters will appreciate the 10-bit full-frame 4K 30p video. You can also record 4K up to 60p if you’re okay with a crop. The viewfinder is a bit small, but the 2.36m-dot OLED provides good quality for composing your shots. The one annoyance is the single SD card slot, but setting this fact aside, the Sony a7C II checks all the right boxes for most people.

Best DSLR: Nikon D850

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Why it made the cut: Nikon’s high-res DSLR can still compete with the best of them.

Specs 

• Resolution: 45.7 megapixels
• Sensor size: Full-frame
• Lens mount: Nikon F
• Image stabilization: None
• Memory card slots: Slot 1: SD/SDHC/SDXC (UHS-II), Slot 2: CFexpress Type B / XQD
• Weight: 2.01 pounds
• Dimensions: 5.7 x 4.9 x 3.1 inches

Pros 

• High-end sensor with lots of resolution
• Tried-and-true Nikon layout and menu system
• Excellent dynamic range
• Lag-free optical viewfinder

Cons

• Faces fierce competition from Nikon’s high-res mirrorless cameras

Since its release in 2017, the Nikon D850 has pretty much owned the full-frame DSLR camera crown. This 45-megapixel camera combines high resolution with lighting-fast autofocus and up to 9 fps continuous shooting. It’s capable of 4K video recording, an 8K time-lapse mode, and one of the most popular lens mounts in existence. It’s telling that our pick for the best full-frame DSLR is now four years old. The Nikon D850 remains incredibly hard to beat.

Best for beginners: Nikon Z5

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Why it made the cut: It’s a very affordable way to get into full-frame mirrorless.

Specs 

• Resolution: 24.3 megapixels
• Sensor size: Full-frame
• Lens mount: Nikon Z
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.3 pounds
• Dimensions: 5.28 x 3.96 x 2.74 inches

Pros 

• Affordable
• Compact
• Uses Nikon’s full-frame Z mount, which has lots of new lenses coming
• Two card slots

Cons

• Limited physical controls

Searching for the best camera for beginners? Nikon’s entry-level Z5 is part of the company’s full-frame mirrorless Z-series, aimed directly at beginners. It uses a 24-megapixel image sensor with 4.5 fps continuous shooting, 5-axis in-body image stabilization, 4K video recording, built-in Wi-Fi and Bluetooth, and a high-resolution electronic viewfinder. It even features dual SD card slots for instant backup or extra storage. It’s a great full-frame mirrorless camera to start out on and still gives you plenty of room to grow.

Best for video: Sony a7S III

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Why it made the cut: The low-resolution sensor works in the A7S III’s favor when it comes to shooting uncropped video and low-light perfomance.

Specs  

• Resolution: 12.1 megapixels
• Sensor size: Full-frame
• Lens mount: Sony E
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Dual slot: CFexpress Type A / SD (UHS-II)
• Weight: 1.5 pounds
• Dimensions: 5.1 x 3.8 x 3.2 inches

Pros 

• Large pixels spread across a full-frame sensor
• Un-cropped video at high-resolutions
• Fantastic low-light performance

Cons

• 12.1-megapixel sensor may underwhelm photographers

Sony’s a7S III was a long time coming, but when it arrived, it became an instant favorite of videographers everywhere. Whether you are creating videos for YouTube or documenting weddings, the a7S III is up for the task. Despite using only a 12-megapixel image sensor, it can shoot 4K video at up to 120fps with 10-bit internal 4:2:2 recording, 16-bit RAW output to an external recorder, and Sony’s top-of-the-line autofocus system. Essentially, you’re trading resolution for phenomenal video performance without springing for a camera that can shoot 8K.

If you want more resolution for photos with strong video performance, the a7 IV is another favorite for content creators. It offers a larger 33-megapixel sensor, giving you more room for cropping and printing large. And it’s capable of up to 4K 60p video. You can check out our full review to learn more about this camera for hybrid shooters.

Best budget: Canon EOS RP

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Why it made the cut: It’s hard to find a current-gen full-frame camera for less.

Specs

• Resolution: 26.2 megapixels
• Sensor size: Full-frame
• Lens mount: Canon RF
• Image stabilization: Digital, 5-axis (video only)
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.07 pounds
• Dimensions: 5.2 x 3.3 x 2.8 inches

Pros 

• Very affordable
• Impressive resolution at this price
• Excellent image quality
• Uses Canon’s RF mount

Cons

• One memory card slot
• Awkward rocker controls

The Canon EOS RP is the most affordable full-frame camera on the market. And yet it still delivers the goods, including a 26-megapixel image sensor, 5 fps continuous shooting, Dual Pixel CMOS AF autofocus, 4K video, Wi-Fi and Bluetooth connectivity, and a 2.36m-dot electronic viewfinder. Conspicuously absent at this price point are in-body image stabilization and dual card slots, but with a price tag of just $999, there are some tradeoffs with resolution and slowed-down autofocus.

Best full-sized for pros: Nikon Z9

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Why it made the cut: Nikon’s flagship mirrorless camera captures high-resolution photos at super-high speeds.

Specs  

• Resolution: 45.7 megapixels
• Sensor size: Full-frame
• Lens mount: Nikon Z
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Dual slot: CFexpress Type B / XQD
• Weight: 2.9 pounds
• Dimensions: 5.9 x 5.9 x 3.6 inches

Pros 

• Super-fast captures
• High-resolution sensor
• Tons of tactile controls
• Silent operation
• Advanced metering and AF tracking
• Tons of customizability

Cons

• Big
• Expensive

Nikon decided it wasn’t interested in moderation when it designed the relatively absurd Z9. It’s a mirrorless camera without any kind of mechanical shutter. Its sensor reads out super fast, so it can capture huge bursts at 20 fps with full AF tracking and AE metering going the whole time. Plus, it’s built like a tank with lots of weather sealing, so it’s meant to last for years, even under harsh punishment. If you can find one in stock and afford it, there’s literally no situation in which this camera body would be out-classed.

Best regular-sized for pros: Sony A1

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Why it made the cut: It looks like a regular A7 camera, but Sony stuffed this pro camera to the gills with features.

Specs

• Resolution: 50.1 megapixels
• Sensor size: Full-frame
• Lens mount: Sony E
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Dual slot: CFexpress Type A / SD (UHS-II)
• Weight: 1.6 pounds
• Dimensions: 5.07 x 3.81 x 2.74 inches

Pros 

• Packs pro features into a normal-sized mirrorless body
• Super-fast capture
• High-resolution sensor
• Advanced AF settings

Cons

• Clunky menu system
• Expensive

Sony’s flagship mirrorless camera takes a similar approach to Nikon’s Z9 in that it can do pretty much anything you’d ever want it to do. Its 50-megapixel sensor reads out super fast, which allows it to produce long bursts of 30 fps captures at full resolution. The a1 is also capable of 8K 30p and 4K 120p video in 10-bit, making it an excellent tool for videographers. Despite its decidedly professional stats, it packs into the shape of a typical A7-series mirrorless camera rather than adding a heavy vertical grip. It’s one of the best full-frame cameras we’ve ever used.

Best for sports: Canon EOS R3

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Why it made the cut: This perfectly balanced body puts the emphasis on speed at every step of the process.

Specs  

• Resolution: 24.1 megapixels
• Sensor size: Full-frame
• Lens mount: Canon RF
• Image stabilization: Sensor-shift, 5-axis
• Memory card slots: Slot 1: CFexpress Type B, slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 2.2 pounds
• Dimensions: 5.9 x 5.6 x 3.4 inches

Pros 

• Unmatched AF tracking
• Fantastic build quality
• Perfect resolution for its purpose

Cons

• Eye AF feature doesn’t feel super useful in some instances

Rather than trying to ratchet up the speed on its high-resolution cameras, Canon purpose-built a camera for sports photographers. It features a super-rugged coating on the outside and a deep grip that makes it very easy to hold, even when there’s a huge lens attached to the front. The autofocus menus have pages and pages of customizability, but the people and object tracking works fantastically right out of the box. Its viewfinder is big and bright, thanks partly to the Eye AF system, which tracks your eye to determine where to focus. If you’re a sports shooter, We think this is the best camera you can buy at the moment.

What to look for when shopping for the best full-frame cameras

Even though all these cameras share the same-sized sensor, they differ in a wide variety of ways. Here are some things to consider when shopping for the best full-frame cameras.

Resolution

Just because these cameras come toting large sensors doesn’t necessarily mean they’re going to be packed with pixels. Some cameras, like the Sony A7S III, opt for a lower 12-megapixel resolution to employ bigger pixels that can pull in more light. The sweet spot for most people likely falls somewhere in the 20-30-megapixel range. That’s plenty of resolution for most things (even large prints), but won’t require an army of memory cards or a super-powerful computer at home when it’s time to edit your shots.

Camera design & layout

You’re going to become very familiar with your camera over time, but a solid layout with intuitive controls can speed up that learning process. If you’re already using a company’s cameras, you’ll likely have an easier time moving to one of their new models than if you switch manufacturers. Some photographers—typically those on the more advanced side of things—prefer more tactile controls like buttons and dials. They speed up the process of navigating the camera because they allow for setting changes without the need to dig into an on-screen menu. Beginners or those moving from smartphone photography may prefer the on-screen menus because they’re more familiar. There’s no right or wrong answer in this case. It all comes down to preference.

Rotating screen

Most full-frame cameras come toting advanced screens that measure three inches or more on the diagonal. Some, however, offer displays that flip around in various directions. While you may not think you need this feature, it can be extremely handy for shooting videos or even taking the occasional selfie. Even if those situations won’t come up very often for you, a rotating screen can provide opportunities to shoot carefully framed shots at very odd and unique angles. It’s a tool you’ll likely use more than you think.

ISO range

Camera companies sometimes boast of maximum sensitivity settings that climb up to over 100,000. Those are impressive on paper, but the real world offers a much different view. Even high-end digital cameras typically top out around ISO 6,400 when it comes to getting usable photos. Sometimes, you can go up to 10,000 and beyond, but expect a ton of grain and less-than-accurate colors. When I go that high, I usually assume I’m going to convert to black-and-white because monochrome images deal with noise much better.

Memory card slots

If you’re moving up to a full-frame body because you want to start doing professional work, consider a body with two memory card slots. That way, you can shoot two copies of every photo in real-time in case one of the cards gets damaged or corrupted. Charging people for photos and then losing them because you didn’t have a real-time backup is a total amateur move and can seriously damage your reputation. You will hear people tell you that they shoot with a single card “all the time,” and it’s always “fine,” but it only takes one catastrophe to cause havoc.

FAQs

Final thoughts on the best full-frame cameras

• Best overall: Canon EOS R6 Mark II
• Best upgrade from a smartphone: Sony a7C II
• Best DSLR: Nikon D850
• Best for beginners: Nikon Z5
• Best for video: Sony a7S III
• Best budget: Canon EOS RP
• Best full-sized for pros: Nikon Z9
• Best regular-sized for pros: Sony A1
• Best for sports: Canon EOS R3

The world of photography equipment can be tricky to navigate alone. With so many options to choose from, finding the best full-frame cameras for you can be a challenge. Gone are the days when there were only a few choices, all of them prohibitively expensive and all of them aimed at professionals. But if you take the time to evaluate your needs as a photographer, educate yourself on the core features that tend to drive up the price of a camera, and explore some of the top picks above, you can confidently make the leap to full-frame and take your photography to the next level.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

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We’re big fans of just about every type of Instax camera Fujifilm offers, but the Square format cameras hold a special place in our hearts. The twee analog prints employ a 1:1 aspect ratio that more closely mimics the square-ish Polaroid images from decades ago. Right now, you can save $40 (a 31 percent discount) off of the stylish Fujifilm Instax SQ6 instant camera during Amazon’s October Prime Day.

Fujifilm Instax SQ6 Instant Film Camera $89 (was $129)

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This square camera shoots square instant film. The SQ6 offers automatic controls with a powerful flash. The package includes several colored filters you can put over the flash in order to create unique color effects. It’s not the most advanced Instax camera around, but it’s built for fun. It comes in four stylish colors and relies on a pair of CR2 batteries, which are small and relatively easy to find on the market.

This is an modern camera with an old school feel. Just be sure to stock up on Instax Square film when you order.

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Best overall		RF 50mm F1.2 L USM		SEE IT
Best budget		RF 50mm F1.8 STM		SEE IT
Best standard zoom		RF 24-70mm F2.8 L IS USM		SEE IT

There are a lot of Canon lenses in the world. In 2021, the company announced that it had manufactured more than 150 million EF and RF lenses for its DSLRs and mirrorless cameras. With that kind of prolific output over several different lines, it can be challenging to hunt down the Canon lens that best suits your shooting style (and your budget). Fortunately, this list of the best Canon lenses will help you find exactly what you’re looking for. 

• Best overall: RF 50mm F1.2 L USM
• Best for portraits (high-end prime): RF 85mm F1.2 L USM DS
• Best for portraits (budget prime): RF 50mm F1.8 STM
• Best for portraits (high-end zoom): RF 70-200mm F2.8 L IS USM
• Best standard zoom (high-end): RF 24-70mm F2.8 L IS USM
• Best standard zoom (budget): RF 24-105mm F4-7.1 IS STM
• Best wide-angle (high-end zoom): RF 15-35mm F2.8 L IS USM
• Best wide-angle (high-end prime): EF 35mm f/1.4L II USM
• Best telephoto zoom (budget): RF 100-400mm F5.6-8 IS USM
• Best macro: RF 100mm F2.8 L MACRO IS USM

How we chose the best Canon lenses

I have been writing about, reviewing, and using cameras as a professional photographer for nearly two decades. I’ve shot Canon gear as my personal kit for the majority of that time and have personally reviewed or at least shot with just about every lens on this list. 

To find the best Canon lenses, I have broken some categories up into high-end and budget options because the price differences can be huge. While Canon doesn’t really make any truly bad lenses (at least at the moment), this list prioritizes models that offer exceptional image quality and durability.

You’ll also notice that almost every lens on the list relies on the Canon RF mount, which is native to its R-series mirrorless cameras. While there are still plenty of excellent EF-mount DSLR lenses out there, the RF glass represents the present and future of the company’s offerings. I’ll mention some older EF options along the way, which can be great if you have DSLRs you still want to use or you’re just looking to save some cash. 

The best Canon lenses: Reviews & recommendations

The right Canon lens for you will depend on what you will be using the lens for and what style you are aiming for. An ultra-wide angle prime lens isn’t the best choice for wildlife or portrait photography, for example. Below you’ll find lenses suitable for just about every genre, so no matter what you want to create, you’ll find an option here for you.

Best overall: RF50mm F1.2 L USM

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Why it made the cut: Canon put a ton of engineering into its flagship standard prime. The result: A lens with immaculate sharpness, beautiful rendition, and almost zero distortion.

Specs

• Lens mount: Canon RF
• Aperture range: f/1.6 – f/16
• Image stabilization: No
• Filter size: 77mm
• Minimum focus distance: 1.31 feet
• Weight: 2.09 pounds
• Dimensions: 3.54 x 4.25 inches

Pros

• Almost no distortion
• Extremely sharp, even when shooting wide open
• Solid build with weatherproofing
• New coatings fight flare
• Beautiful bokeh

Cons

• Expensive
• Big and heavy compared to older versions

Canon built this flagship 50mm prime lens to show off what its full-frame R-series cameras can do. It’s not just one of the best Canon lenses. It’s easily one of the best modern lenses I have ever used. 

50mm lenses aren’t particularly prone to distortion, but you’ll find almost none in this lens. It focuses quickly, quietly, and accurately. While you will notice some vignetting when shooting wide open, it’s not overpowering and can even work in your favor if you’re shooting portraits or trying to isolate a subject. As you stop the lens down, the vignette disappears, and it’s sharp and bright across the entire frame. 

Canon’s new Air Sphere coating promises to fight flare and aberration. In my experience, it does a fantastic job. Even in very high-contrast areas, the lens keeps unwanted effects to a bare minimum. 

All that performance does come with costs, however. At $2,299, it’s a very expensive lens. It’s also considerably longer and heavier than the previous EF version. But, while it’s not exactly compact or light, it doesn’t feel overly heavy or humongous when attached to a full-frame body. 

Yes, this lens is an investment, but it’s also a benchmark offered by the company to maximize its cameras’ capabilities. That’s worth the cost if you can swing it.

Best for portraits (high-end prime): RF85mm F1.2 L USM DS

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Why it made the cut: This classic focal length offers a special coating that smooths out bokeh for more pleasing backgrounds. 

Specs

• Lens mount: Canon RF
• Aperture range: f/1.2 – f/16
• Image stabilization: No
• Filter size: 82mm
• Minimum focus distance: 2.79 feet
• Weight: 2.63 pounds
• Dimensions: 4.06 x 4.62 inches

Pros

• Unbeatable bokeh thanks to its fast aperture and DS coating
• Very sharp
• Built-in control ring in addition to the focus ring

Cons

• Big
• Expensive

Fast 85mm lenses have been a staple for portrait photographers for decades. The short telephoto focal length masterfully avoids perspective and optical distortion while keeping the subject at a comfortable working distance that doesn’t feel too intimate or removed from the process. Canon’s flagship 85mm f/1.2 lens costs more than most of the cameras in its lineup, but it delivers unmatched image quality in this space. 

Like the 50mm f/1.2, it’s absurdly sharp, even when shooting wide open. One of the big challenges when shooting with it is to not go overboard shooting at f/1.2. The depth of field is so shallow that it can look otherworldly or dreamy. The DS in its name stands for Defocus Smoothing. An additional coating makes out-of-focus highlights in the frame appear softer and more subtle, which makes them less likely to distract viewers from the image’s subject. 

The body includes a function ring in addition to the focus ring, and the whole thing is weatherproof in line with Canon’s L-series lens specs. Again, this is a big, heavy lens, but it provides an aesthetic and image quality that you won’t get with anything else.

Best for portraits (budget prime): RF50mm F1.8 STM

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Why it made the cut: The nifty fifty provides a fast aperture and a standard angle of view which works well for loose portraits. It’s also very cheap.

Specs

• Lens mount: Canon RF
• Aperture range: f/1.8 – f/22
• Image stabilization: No
• Filter size: 43mm
• Minimum focus distance: 11.8 inches
• Weight: 5.6 ounces
• Dimensions: 2.7 x 1.6 inches

Pros

• Better image quality than its price suggests
• Light
• Compact
• Cheap
• Relatively simple lens design

Cons

• Plastic construction
• Only one control/focus ring

For less than $200, this lens is a no-brainer for pretty much anyone with a Canon RF-mount camera. It weighs a quarter of a pound, is less than three inches long, and relies on Canon’s STM focusing mechanism for quick, quiet operation. It also goes down to f/22. That’s smaller than some of the high-end models, which only go to f/16. 

It’s adequately sharp and demonstrates some relatively easy-to-fix vignetting when shooting wide open. Stop it down to f/2.8 and beyond, however, and it gets extremely sharp and bright across the frame. 

This is a plastic lens, so don’t expect heavy weather sealing for durability, but at this price, everyone should have one (if they don’t already have a higher-end standard prime).

Best for portraits (high-end zoom): RF 70-200mm F2.8 L IS USM

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Why it made the cut: The 70-200mm zoom is an essential kit for many pros, and this version is even smaller and lighter than its predecessors.

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/32
• Image stabilization: Yes
• Filter size: 77mm
• Minimum focus distance: 2.3 feet
• Weight: 2.35 pounds
• Dimensions: 3.54 x 5.75 – 8.03 inches

Pros

• Compact compared to older models
• Very sharp
• Five stops of image stabilization
• Light

Cons

• Barrel extends when you zoom, which affects balance

You can shoot just about any kind of portrait you can think of with a 70-200mm lens. Canon’s latest version of this popular telephoto zoom lens takes full advantage of the RF mount. It is both smaller and lighter than the latest high-end version built for DSLRs. 

It focuses down to 2.3 feet, so even though it’s a telephoto lens, you won’t be standing too far away from your subject. This is an L-series lens, so it gets Canon’s most advanced tech, including its high-end coatings to fight flare and aberration. 

If you’ve shot with old versions of the 70-200mm, you’re probably used to the lens barrel staying the same length throughout the focal range. However, this version extends as it zooms, allowing it to take up much less bag real estate when you’re in transit. 

Best standard zoom (high-end): RF 24-70mm F2.8 L IS USM

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Why it made the cut: The most versatile lens around has gotten an update for the mirrorless era.

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/22
• Image stabilization: Yes
• Filter size: 82mm
• Minimum focus distance: 8.27 inches
• Weight: 1.98 pounds
• Dimensions: 3.48 x 4.95 – 6.06 inches

Pros

• Very versatile focal range
• Extremely sharp
• Solid weathersealing
• Optical image stabilization
• Control ring in addition to zoom and focus rings

Cons

• Bulky
• Expensive

If you need one lens to do it all, then the 24-70mm f/2.8 IS fits the bill. The range goes from wide-angle to short telephoto, so it’s capable of everything from sweeping landscapes to straight-up headshots. 

The focusing mechanism relies on Canon’s latest Nano USM motors, so it moves very quickly and silently. And the nine-blade circular aperture creates pleasing bokeh across the frame at every focal length. 

Lens makers didn’t typically include image stabilization in standard zooms like this one until recent generations. Here, you get up to five stops of handheld shake reduction thanks to the built-in system. 

This is a lens built for work. You can stick it on the camera and leave it there for pretty much any situation, which justifies its high price. 

Best standard zoom (budget): RF 24-105mm F4-7.1 IS STM

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Why it made the cut: Despite its relatively slow maximum aperture, this standard-to-short-telephoto zoom is right at home for shooting in bright situations.

Specs

• Lens mount: Canon RF
• Aperture range: f/4 to f/7.1 – f/40
• Image stabilization: Yes
• Filter size: 67mm
• Minimum focus distance: 5.16 inches
• Weight: 13.93 ounces
• Dimensions: 3.02 x 3.5 – 5.45 inches

Pros

• Light for its range
• Quick, quiet focusing
• Relatively compact
• Affordable

Cons

• Very slow maximum aperture makes it better for mostly outdoor shooting

Not everyone needs a super-fast maximum aperture for shooting in low light. If the majority of your work happens in relatively bright locations like sports fields or any outdoor setting, this lens provides a very solid focal range for a relatively low price. 

It has a relatively complex optical design, so it’s capable of pleasing blur and excellent sharpness across the focal range. It’s plastic, so it’s not meant for harsh environments, but that does make it relatively light and compact. That’s essential for a good walk-around lens. 

Built-in image stabilization provides up to five stops of handheld shake reduction. That can help compensate for the slow maximum aperture if you’re trying to shoot handheld. 

Best wide-angle (high-end zoom): RF 15-35mm F2.8 L IS USM

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Why it made the cut: This focal range has been a staple for photojournalists and other working pros for a long time. 

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/22
• Image stabilization: Yes
• Filter size: 82mm
• Minimum focus distance: 11.02 inches
• Weight: 1.85 pounds
• Dimensions: 3.48 x 4.99 inches

Pros

• Versatile wide-angle field of view
• Very low distortion considering the wide-angle nature
• Top-end dust- and weather-proofing
• Excellent overall image quality

Cons

• Expensive
• IS may be unnecessary for some

Dig into a pro photojournalist’s camera bag, and there’s a good chance you’ll find a zoom in this range. These wide-angle zooms are great for getting close to subjects or backing up to capture wide-establishing shots. It’s also one of our favorite lenses for real estate, thanks to its overall impressive image quality.

Canon rebuilt this popular zoom specifically for RF-mount mirrorless cameras. Despite its wide angle of view, this lens keeps distortion remarkably well-controlled, even when you’re zoomed all the way out to 15mm. That’s a big deal for shooting architecture or any other subject that doesn’t look good with wacky funhouse proportions. 

It’s part of Canon’s L-series, so we expect a rugged build, but this lens goes beyond a typical L model when it comes to keeping out moisture and dust. 

The image stabilization system relies on data from both the lens and the body to try and counteract camera shake. It’s a very effective system, but it may be overkill for some shooters who don’t need IS on such a wide lens very often. Still, it’s nice to have it when you need it. 

Best wide-angle (high-end prime): EF 35mm f/1.4L II USM

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Why it made the cut: Until Canon rolls out a high-end wide-angle prime for the RF mount, this excellent EF-mount version reigns.

Specs

• Lens mount: Canon EF
• Aperture range: f/1.4 – f/22
• Image stabilization: No
• Filter size: 72mm
• Minimum focus distance: 11.02 inches
• Weight: 1.67 pounds
• Dimensions: 3.17 x 4.15 inches

Pros

• Extremely sharp
• Low distortion
• Beautiful color reproduction

Cons

• Still an EF mount, so you’ll need an adapter on a mirrorless camera

This has been one of my primary lenses since it debuted and it remains one of the best Canon lenses in the lineup. It’s an EF lens, which means it’s meant for DSLRs, but it works flawlessly on mirrorless cameras with the Canon EF-EOS R adapter. Canon currently doesn’t offer much in the way of a high-end, wide-angle prime for the RF mount, so this is currently the best bet. 

This is one of the later L-series lenses to show up on the scene, so it has modern features like Canon’s SWC coating and BR optics to fight off flare and aberrations. It’s sharp throughout the aperture range and allows for shooting at f/1.4 with impressive detail. It does vignette some when shooting wide open, but I often think that works in its favor from an aesthetic perspective. It’s an all-around awesome lens that will serve you well for years. 

Best telephoto zoom (budget): RF 100-400mm F5.6-8 IS USM

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Why it made the cut: This ultra-telephoto zoom offers a lot of reach for a very reasonable price.

Specs

• Lens mount: Canon RF
• Aperture range: f/5.6 to f/8 – f/32 to f/45
• Image stabilization: Yes
• Filter size: 67mm
• Minimum focus distance: 2.9 feet
• Weight: 1.4 pounds
• Dimensions: 3.1 x 6.5 inches

Pros

• Very affordable for the class
• Comparatively lightweight
• Compatible with teleconverters
• 0.41x magnification ratio

Cons 

• Maximum aperture isn’t very bright

Long telephoto zoom lenses typically cost a fortune, putting them out of reach for most people. But this Canon offering manages to come in under $700 while still offering a 100-400mm range. It’s also very lightweight for such a lens, weighing just 1.4 pounds. That makes it much easier to carry with you on hikes in order to capture wildlife.

Of course, with the budget-friendly price comes a few downsides. Most notable is the narrow maximum aperture. It tops out at f/5.6, and when you zoom all the way in, that drops to f/8. It definitely won’t be great in low-light situations when trying to handhold the lens as a result. But it does offer optical image stabilization to reduce up to 5.5 stops of camera shake, which is a big advantage.

This 100-400mm lens offers good image quality, although with some softness when shooting at either end of the aperture range. It has surprisingly well-controlled fringing and ghosting for a lens of this price. The autofocus isn’t as precise or fast as more expensive lenses, but for most people, it will keep up just fine. And it’s compatible with Canon’s Extender RF 1.4x and Extender RF 2x teleconverters if you want even more reach.

Best macro: RF 100mm F2.8 L MACRO IS USM

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Why it made the cut: If you want to get close, this is the highest-quality way to do it. 

Specs

• Lens mount: Canon RF
• Aperture range: f/2.8 – f/32
• Image stabilization: Yes
• Filter size: 67mm
• Minimum focus distance: 10.2 inches
• Weight: 1.6 pounds
• Dimensions: 3.2 x 5.8 inches

Pros

• 1.4:1 magnification gets extremely close
• Up to eight stops of shake reduction with some cameras
• SA control can control the appearance of bokeh to match the scene and subject

Cons 

• 100mm focal length may feel long

If you want true macro performance, then this is the Canon model to check out. It embraces the classic 100mm macro focal length and provides a 1.4:1 magnification ratio, meaning images will render larger on the image sensor than they are in real life. That’s extremely close focusing. 

Keeping the camera steady can be tricky when shooting close, so Canon equipped this lens with a built-in image stabilization system. Combined with a body like the Canon R5, it can provide a total of up to eight stops of shake reduction when shooting handheld. 

In addition to its normal controls, the lens also sports a spherical aberration control ring, which allows photographers to control the appearance of the bokeh in every image. It can render out-of-focus highlights as clearly defined spheres or mushy blobs of light, depending on which fits your frame better. 

Things to consider when shopping for the best Canon lenses

Where are all the EF lenses?

Sadly, Canon has begun the process of discontinuing EF lenses meant for DSLR shooting. RF lenses represent the foreseeable future in the Canon stable. There are still some very excellent EF-mount lenses on the market right now (including the 35mm f/1.4 on this list), but we mostly recommend buying native RF lenses for your mirrorless camera if you want to get the most out of them. 

Prime vs. zoom

You should have a general idea of what focal length you want before you go out and buy a lens. Do you need something wide or something on the telephoto side of things? Once you have that figured out, it’s time to weigh primes against zooms. 

Primes are typically smaller, provide superior overall image quality, and offer faster maximum apertures. But, they also don’t move from their single focal length. So, if you want to shoot an up-close shot with that 35mm prime, you’re going to have to get your physical body pretty close to it. 

Zooms offer much more flexibility, but they’re typically bigger, have slower maximum apertures, and suffer a bit on the overall image quality front when compared to primes. They also typically involve more moving parts, so they can require more frequent and complex service.

Maximum aperture

A lens’s aperture lets light into the camera so the sensor can capture it. The wider that aperture opens, the more light it can let in at once. You’ll typically find aperture expressed as an F number, like f/2.8 or f/8. You don’t really need to know the mathematical formula behind that number; just know that a smaller f-number translates into a wider aperture. A lens open to f/2.8, for example, lets in twice as much light (or one stop) as a lens set to f/4. 

Most zooms can only open to f/2.8 at their fastest. Primes can go much lower, as demonstrated by the f/1.2 lenses on this list. If you shoot a lot in low-light, or you want a lot of blurry bokeh in the background of your photos, spring for the wider apertures. If you shoot in mostly bright conditions or use a lot of flash, a slower aperture may be just fine and save you some money. 

Image stabilization

Canon only started putting image stabilization into its camera bodies with the R5 and R6. Before then, it relied entirely on lens-based IS. Some lenses still offer built-in optical image stabilization, which works in tandem with a camera’s built-in system to create some truly impressive shake reduction. Lenses will often promise up to five stops of shake reduction, but that’s under ideal circumstances and shouldn’t necessarily sway you to make a purchase. 

Size and weight

High-performance lenses tend to land on the large and heavy side of the roster. They rely on metal bodies and ample glass elements to perform up to pro standards. Generally, faster apertures and wider zoom ranges will translate into bigger, heavier lenses. Ideally, you can find a balance between performance and packability. 

FAQs

Final thoughts about the best Canon lenses

• Best overall: RF 50mm F1.2 L USM
• Best for portraits (high-end prime): RF 85mm F1.2 L USM DS
• Best for portraits (budget prime): RF 50mm F1.8 STM
• Best for portraits (high-end zoom): RF 70-200mm F2.8 L IS USM
• Best standard zoom (high-end): RF 24-70mm F2.8 L IS USM
• Best standard zoom (budget): RF 24-105mm F4-7.1 IS STM
• Best wide-angle (high-end zoom): RF 15-35mm F2.8 L IS USM
• Best wide-angle (high-end prime): EF 35mm f/1.4L II USM
• Best telephoto zoom (budget): RF 100-400mm F5.6-8 IS USM
• Best macro: RF 100mm F2.8 L MACRO IS USM

Canon offers one of the biggest lens selections you’ll find in a camera system, and navigating it can be tricky. The newer mirrorless cameras play nice with newer RF-mount lenses as well as DSLR-oriented EF-mount lenses with help from an affordable adapter. The RF 50mm f/1.2 represents a fantastic benchmark for RF lens performance if you can stomach the cost. But the best Canon lenses run the gamut from complex zooms to simple primes and everything in between. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

The post The best Canon lenses for 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Sony ZV-1 II		SEE IT	Developed specifically for vlog content makers, this camera prioritizes face-focusing and quality audio.
Best for travel		Nikon Z30		SEE IT	Tiny but powerful, this body is great for travel vlogs.
Best budget		Canon PowerShot V10		SEE IT	This tiny camera is also an ideal choice for beginners.

The list of vlogging cameras has exploded in recent years, with most camera manufacturers focused on pieces of gear intended for this genre. These image-making devices take many shapes and forms, from compact cameras and action cams to high-end hybrid models meant for photo and video. It can be easy to get lost in all the noise and overwhelmed by the choices. What is best for you comes down to the type of content that you are making and your experience level. But no matter what, the best vlogging cameras will help you produce quality content reliably so you can continue to grow your audience. 

• Best overall: Sony ZV-1 II
• Best with flip screen: Fujifilm X-S20
• Best for YouTube: Sony ZV-E1
• Best for travel: Nikon Z30
• Best budget: Canon PowerShot V10

How we chose the best vlogging cameras

Choosing a vlogging camera requires a very specific set of considerations that differ from cameras intended for other purposes. That’s in part due to the fact that the shooter is also typically the star. 

When making our selections, we prioritized video quality, autofocus abilities, microphone quality, and stabilization options. Vari-angle displays with easy-to-use touchscreen functions were also important to us, as they make recording yourself significantly easier. Finally, we looked at additional features such as battery life, recording limits, and photography quality as well. We relied on a mix of hands-on experience, editorial reviews, and user feedback in narrowing down our list of cameras included here. 

The best vlogging cameras: Reviews & recommendations

What should you look for when buying a vlogging camera? For starters, you’ll want an option with high-quality audio (like an external mic input), accurate and reliable autofocus, and Wi-Fi and Bluetooth connectivity. These are non-negotiables in a good vlogging camera. Beyond that, if you’ll be out and about rather than vlogging from a fixed location, you’ll likely want a small kit that’s easy to carry. Keep reading to discover other features that may be important, as well as cameras that could tick your necessary boxes. 

Best overall: Sony ZV-1 II

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Specs

• Resolution: 20.1-megapixels
• Sensor size: 1-inch
• Lens mount: N/A (integrated 18-50mm equivalent lens)
• Image stabilization: Digital (video only)
• Memory card slots: Single slot: SD/SDHC/SDXC
• Weight: 10.3 ounces
• Dimensions: 4.15 x 2.4 x 1.84 inches

Pros

• Very compact and lightweight
• Plenty of vlog-friendly features
• Integrated fast lens with versatile focal length
• Fully articulated touchscreen

Cons

• No optical or in-body stabilization
• Battery life isn’t great

The ZV-1 II is Sony’s second take on its extremely popular vlogging camera. This compact camera features an integrated 18-50mm (full-frame equivalent) lens, which means you don’t have to invest in separate glass or bring more gear along on shoots. The wide-angle perspective is ideal for recording yourself at arm’s length or capturing broad views when traveling. And the f/1.8-4 maximum aperture improves low-light performance and allows you to get attractive bokeh when trying to highlight a person or product. 

Sony’s cameras are well known for their impressive autofocus, and that remains the case here. The ZV-1II offers Real-Time Eye AF and Real-Time tracking, which quickly and precisely focus on and track your subject. It also features a  Product Showcase setting for smoothly transitioning focus from a face to an object when you need to show off a product.  

Another big benefit of the SV-1 II is the quality of the multidirectional three-capsule mic. The camera can orient this mic towards faces and objects when in auto mode, offering even better sound. Should you want even better audio, you can take advantage of the 3.5mm microphone port and Multi Interface Shoe and add on a shotgun mic. The camera is very lightweight, making it easier to bring with you and to hold, even for long filming sessions. 

Best with flip screen: Fujifilm X-S20

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Specs

• Resolution: 26.1-megapixels
• Sensor size: APS-C
• Lens mount: Fujifilm X
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.1 pounds
• Dimensions: 5 x 3.4 x 2.6 inches

Pros

• Excellent battery life
• Built-in attractive film simulations
• Versatile vari-angle touchscreen
• Advanced video capture modes

Cons

• Not weather-sealed

Fujifilm’s X-series of mirrorless cameras draw acclaim for a reason, and the X-S20 makes a top-notch vlogging camera. For starters, it features one of the best hand grips of any camera we researched, without any of the bulk of a DSLR. That makes it a lot easier to hold without purchasing a separate cage or gimbal. It also offers seven stops of stabilization to smooth out your vlogs when shooting handheld.

The vari-angle touchscreen is a big plus for vloggers, as it facilitates any angles that you’ll need when shooting, even if that means holding the camera really low or really high. The viewfinder is a bit small for a camera of this size, but most vloggers won’t be recording through that anyway. If you want to shoot still photos with this camera, you’ll be pleased as well, thanks to the excellent photo quality. It’s even capable of up to 20 fps burst shooting for capturing action.

Perhaps most importantly, the X-S20 offers a wide range of video quality and aspect ratios. You can record in open gate 6.2K 30p with a 3:2 aspect ratio, which provides more flexibility for cropping in post or using anamorphic lenses. You can also shoot in 4K 30p or 4K 60p with a slight crop. The video quality overall is excellent, with nice levels of detail. And you can take advantage of Fujifilm’s attractive film presets if you don’t want to fuss with editing. 

Best for YouTube: Sony ZV-E1

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Specs

• Resolution: 12.9 megapixels
• Sensor size: Full-frame
• Lens mount: Sony E
• Image stabilization: Digital, 5-Axis
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.1 pounds
• Dimensions: 4.8 x 2.8 x 2.1 inches

Pros

• Exceptional stabilization
• Great in low-light situations
• Excellent video features and quality
• Advanced, AI-powered autofocus

Cons

• Not great for photos

Sony’s ZV-E1 is perhaps the best vlogging camera out there. However, it doesn’t earn our top spot because its higher price, more advanced features, and interchangeable lens system aren’t ideal for a big segment of vloggers. But, if you want the ability to produce high-quality content for YouTube, this is the best option for you. 

This full-frame vlogging camera is capable of 4K recording up to 120p or full HD up to 240p. Internal 10-bit 4:2:2 sampling is possible in all recording modes, and there are no recording limits. Sony improved heat dissipation in this camera, and it should offer up to 60 minutes of recording time at 4K60p.

Sony designed this camera specifically for vloggers, and the result is a long list of features ideal for filming your YouTube videos. That includes 15+ stops of dynamic range, advanced color control with S-Cinetone and the ability to import your own LUTs, class-leading stabilization, and cinematic bokeh. It also offers powerful AI-based autofocus, such as the ability to recognize and track multiple subjects in the frame and auto-framing options to keep the subject in the frame. It is a seriously impressive camera for those who want to get serious with their vlogs. 

Best for travel: Nikon Z30

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Specs

• Resolution: 20.8  megapixels
• Sensor size: APS-C
• Lens mount: Nikon Z
• Image stabilization: Digital (video only)
• Memory card slots: Single slot: SD/SDHC/SDXC (UHS-I)
• Weight: 12.3 ounces (body only)
• Dimensions: 5 x 2.9 x 2.3 inches

Pros:

• Compact and lightweight
• Good for photos and videos
• Uncropped 4K video
• Reliable autofocus

Cons

• Only offers digital stabilization

The Nikon Z30’s compact size makes it an ideal choice for travel vlogging. But, despite the small body, it offers a robust grip, which provides a better, more comfortable hold on the camera. It doesn’t offer a viewfinder, but most will be fine with the three-inch vari-angle touchscreen anyway. An added bonus is that when you flip the screen around, the camera automatically changes to selfie mode and reliably tracks your face. 

From a video perspective, the Z30 is capable of 4K 30p video or full HD at p to 120p for slow-motion footage. It allows continuous recording of just slightly over two hours, so you can record long takes when touring a location on your travels. You can even live stream at up to 4K 30p. Nikon built the camera with a high-quality stereo mic and also included a 3.5mm mic port if you want to use an external option. 

If you also want to take stills on your travels, the Z30 is an ideal choice in large part thanks to Nikon’s impressive image quality and color science. The 20.8-megapixel sensor will result in nicely detailed images with good noise handling and low-light performance. It can shoot up to 11 fps bursts for those times you want to document action. And it offers a selection of built-in presets and filters so that you can skip the editing and share right to your desired platforms, making it an ideal beginner vlogging camera as well. 

Best budget: Canon PowerShot V10

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Specs

• Resolution: 13.1 megapixels
• Sensor size: 1-inch
• Lens mount: N/A (integrated lens)
• Image stabilization: Digital
• Memory card slots: Single slot: microSD/microSDHC/microSDXC (UHS-I)
• Weight: 7.4 ounces
• Dimensions: 3.5 x 2.5 x 1.4 inches

Pros

• Very tiny
• Built-in stand is handy
• Easy to use with simple controls
• Integrated ND filters

Cons

• Lens gets dirty easily
• Doesn’t offer much room to grow

If you are looking for a basic, affordable vlogging camera, the Canon PowerShot V10 is a great choice. This unique camera is very tiny, making it easy to keep in your pocket and record a vlog whenever inspiration strikes. It features an integrated 19mm lens (full-frame equivalent), which is plenty wide for selfie videos or small groups of people. And the small rear screen flips up to help you frame your shots when recording yourself. 

The budget-friendly price of this camera does mean that it isn’t groundbreaking in terms of quality or features. It’s capable of 4K up to 30p or full HD up to 60p with reasonable detail and colors. You can easily record vertical video simply by rotating the camera on its side. I found that the two stereo mics and a third mic that filters background noise do a good job of producing quality audio, even when I was outside on a windy day. 

One of the things I liked about the V10 is its simplified menu system. You don’t have to fuss with settings and figure out what all the options mean, which is ideal for beginners. The built-in stand is also really nice for recording without a tripod or using it to hold the camera. It’s not a perfect device and can’t compete with more expensive vlogging cameras, but the affordable price and beginner-friendly features make it a good choice for many. If you want to read more about the PowerShot V10, check out our full review. 

What to consider when looking for the best vlogging cameras

The list of suitable vlogging cameras is long these days, making it challenging to choose one. They come in all sorts of form factors with many different features, making each camera suitable for a different type of vlogger. Overall, the best vlogging camera features a rotating screen, is able to use an external mic, and suits your particular budget, lifestyle, and vlog goals. Beyond that, here are some key things to look out for when selecting the best vlogging camera for you. 

Camera type

Vlogging cameras come in many different shapes and sizes, so you’ll want to put some thought into what fits your lifestyle and vlogging plans best. Many vlogging cameras are compacts (sometimes called point-and-shoots), which utilize an integrated lens. These are small devices, and since you won’t need to worry about bringing extra lenses, they are ideal for those on the go or traveling a lot for their vlogs. However, the single, built-in lens can be limiting and may prevent you from getting what you want stylistically. 

The range of interchangeable lens cameras designed for vlogging has expanded significantly in recent years. In fact, most mirrorless cameras offer at least some vlogging-focused features. These cameras come in both APS-C and full-frame varieties. There are pros and cons with each format, and what is best for you comes down to goals, preferences, and budget. It’s important to consider a camera that you can grow into but isn’t so advanced that you won’t use most of the features until the camera is outdated and needs to be replaced. 

Broadly speaking, APS-C cameras are more affordable and smaller but are typically a bit limited in features and overall quality. Full-frame cameras are ideal for more experienced vloggers wanting to take their content to the next level, but they come with a higher price tag as a result.

Rotating screen

Unless you have a YouTube entourage to help make your videos, you’ll likely be filming yourself. That requires a high-quality screen that flips around to face the front of the camera so you can see what your shot looks like. Most vlogging cameras feature vari-angle screens now, but there are still considerations within the screens: Whether the screen flips open to the side or above the camera, if the screen can rotate on additional angles, the size of the screen, the durability of that screen connection, etc.

Size

Most people recording vlogs do so, at least in part, in locations other than a studio or office. That typically means you are holding the camera up instead of using a tripod, and of course, means you have to lug it around with you. As a result, you’ll want a vlogging camera that is relatively compact and lightweight. This is even more important if you travel frequently, as carrying around a bulky camera on worldwide adventures is never fun. 

The camera grip is also an important factor here if you ever plan on manually holding the camera (for a walk-and-talk or whatever it may be) and not exclusively using a tripod. A tiny camera may be lighter to hold up, but if it doesn’t offer a good grip, it won’t be comfortable to hold. Not only will it prevent you from dropping the camera, but it’ll ensure that your footage isn’t wobbly.

FAQs

A final word on shopping for the best vlogging cameras

• Best overall: Sony ZV-1 II
• Best with flip screen: Fujifilm X-S20
• Best for YouTube: Sony ZV-E1
• Best for travel: Nikon Z30
• Best budget: Canon PowerShot V10

The best vlogging cameras let you focus on the content of the vlog rather than an overly complicated camera set-up or interface, and makes you look and sound better while doing it. For most users, a vlogging camera with a flip screen is the best. For low-light, interchangeable lenses, and better stills, look for a full-frame camera. And whether you’re looking for a video camera for YouTube or the best camera for travel vlogging, pay attention to the f-stop and focal length of the lens based on your needs, and do not — ever! — forget to look for a better mic, and an external mic input. Vlog on, now: The camera loves you.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

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It’s September and that means it’s time for apple cider donuts (at least here in Upstate New York) and new iPhones. This week, Apple held its keynote event to announce a few new gadgets, including the latest generation of its iPhones. The lineup hasn’t changed all that much, but the new iPhone 15 and iPhone 15 Pro models do bring some notable camera upgrades. Here’s a rundown of what upgrades you can expect.

iPhone 15 camera

The iPhone 15 vanilla takes a fairly large leap in terms of camera hardware. The new module inside the iPhone 15 has a 48-megapixel sensor that allows it to shoot full-res images or bin the pixels together in order to create larger photosites for better low-light performance. If this sounds familiar, it’s because other manufacturers have been using this strategy for quite some time, and the iPhone 14 Pro models introduced it last year.

The module only includes two cameras—the 48-megapixel wide-angle camera and the 0.5x zoom super-wide. The iPhone 15 also includes a 2x zoom mode that the company claims won’t degrade overall image quality when compared to a normal capture. If you’re looking for true optical telephoto performance, you’ll need to move up to the Pro models.

In addition to the hardware, Apple has made some improvements to its computational photography features as well. Night Mode, which relies on a series of captures including a long exposure to get well-exposed shots in dark situations, now puts more emphasis on high-frequency details. This means you’ll get more texture in objects with small details. Apple weirdly uses a sweater to illustrate this on a fairly regular basis, and the company did just that during the announcement. If you thought sweaters weren’t detailed enough in Night Mode, Apple has fixed that.

The front-facing camera now automatically focuses on your face during calls or selfies, though the hardware doesn’t seem to have changed all that much.

iPhone 15 Pro cameras

The iPhone 15 Pro-series cameras offer more pronounced upgrades. The camera system still includes three individual camera modules, including the wide-angle main camera, the super-wide camera, and a 120mm equivalent 5x zoom lens.

From a hardware perspective, the main camera works similarly to how it did in the previous generation, but it has some extra computational fanciness going on. For instance, Portrait Mode now automatically detects when there’s a person or even an animal in the frame and enables the phone to capture a depth map of the scene. As a result, photographers can add simulated blur in post. Perhaps more impressively, that depth map also allows creators to choose what object in the scene should actually appear in focus. The demo looked almost reminiscent of the promising but ultimately ill-fated Lytro light field camera from many years ago. This feature also works on the iPhone 15.

When shooting with the main camera, you’ll typically get 24-megapixel images created by combining pixels on the 48-megapixel sensor. Interestingly, Apple will now allow shooters to choose the default focal length for the camera when they open the app. So, you can choose between 24mm, 28mm, and 35mm without having to do any zooming in the app itself. I tend to gravitate more toward 35mm lenses in my compact cameras over the wider lenses, so I’m actually pretty excited about this change.

The 120mm equivalent zoom lens effectively takes the iPhone 15 Pro’s zoom range up to 5x. That’s still relatively paltry compared to some other manufacturers who have gone to 10x and beyond, but it’s a new benchmark for iPhones. It maintains an f/2.8 maximum aperture on the long lens, too. Combined with an improved optical stabilization system, that should make the telephoto lens usable in practical situations. After all, things can get a bit shaky when trying to shoot telephoto on a smartphone.

Beyond the actual camera features, the iPhone 15 Pro also offers super-fast transfer speeds over its handy new USB-C connection. That’s useful if you want to move big photo and video files around between camera, phone, and computer.

Which iPhone should you buy for the best camera?

While the iPhone 15 has experienced a big hardware jump from its predecessor, the camera system remains a differentiator between the standard and Pro models. The 5x optical zoom isn’t going to get you absurd moon shots like Samsung’s 10x lens will, but it does give you a practical focal length for real-world situations. Plus, the new focus-shifting options that come with the upgraded Portrait Mode seem really interesting. We’re looking forward to putting together a full review of the new camera system in the coming weeks.

The post What’s new about the cameras in the iPhone 15 and 15 Pro? appeared first on Popular Photography.

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Best flatbed scanner		Epson Perfection V600 flatbed scanner		SEE IT	The V600 offers excellent scan quality, including technology to remove dust and scratches.
Best professional		Epson Perfection V850 Pro Scanner		SEE IT	A large scanning area and more advanced features make this the pick for high-end users.
Best budget		Kodak Slide N Scan Film and Slide Scanner		SEE IT	The Slide N Scan scans several film types and connects directly to a laptop with a USB cord.

Film scanners help bring the magic of analog photography into the digital world. There’s a look and texture to film photography and video that their digital counterparts can’t capture. However, you can’t deny the ease of editing and sharing digital photos. Enter the film scanner, which converts film images to digital format. Film scanners aren’t just for photography either. There are also film scanners that convert 8 mm and Super 8 film into easily edited and shared MP4s. The best film scanners preserve the look and feel of the original film and make it easier to edit, share, and replicate your work. 

Film scanners come in different sizes, use different technologies, and may only work for certain types of film. Others work with several types of film as well as scan documents and printed photos. Consequently, your chosen film scanner will need to work for the type of film you use as well as offer the quality that works for your purposes. Professionals will need the manual control and versatility of a more expensive film scanner, while hobby photographers don’t need to make the same financial investment. Read on to get the lowdown on the best film scanners, along with tips to help you choose the best film scanner for you.  

• Best flatbed scanner: Epson Perfection V600
• Best negative scanner: Plustek OpticFilm 8300i Ai Film Scanner
• Best for digital video: Wolverine 8mm and Super 8 Film Reel Converter Scanner
• Best professional: Epson Perfection V850 Pro Scanner
• Best budget: Kodak Slide N Scan Film and Slide Scanner

How we chose the best film scanners

Since there are different types and sizes of film scanners, we aimed to choose a wide selection that would fit the needs of most people. Beyond that, we looked at features such as maximum resolution, supported formats, usability, durability, and speed. We also picked scanners at a range of price points in order to make film scanning more approachable.

The best film scanners: Reviews & Recommendations

Scanning your film not only allows you to share your results in the digital world but it also gives you a backup in case something damages your negatives. Here are our favorite film scanners for a range of users and applications.

Best flatbed scanner: Epson Perfection V600

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Specs

• Scanner type: Flatbed
• Resolution: Up to 6,400 dpi
• Formats supported: 35mm, mounted slides, 120 up to 6 x 22

Pros

• Relatively affordable
• Versatile since it can also scan prints and documents
• Quicker than some dedicated film scanners
• Included software is decent
• LED light source doesn’t need to warm up, uses less electricity than older models

Cons

• Film holders are a bit flimsy
• Loud

The Epson V600 features 6400dpi optical resolution that’s high enough for film and print scans. It works for 35mm film, 35mm slides, and medium format film and completes a scan in 21 seconds. That’s not the quickest scan speed, but it’s a great balance of speed and scan quality. This Epson also features Digital ICE Technology that removes dust and scratches for cleaner scans.

This is a great option if you’re shooting film semi-regularly, but you’d also like some flexibility. Take out the film holder and insert the opaque pad in order to make this into a useful print and document scanner.

The LED light source doesn’t need to warm up like older versions of these scanners. Plus, the included software makes scanning relatively simple if you don’t want to use something more complex like Silverfast or Vuescan (though, we’re particularly fond of Vuescan).

Best negative scanner: Plustek OpticFilm 8300i Ai Film Scanner

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Specs

• Scanner type: Dedicated film scanner
• Resolution: Up to 7200 dpi
• Formats supported: 35mm strips and mounted slides

Pros

• Very sharp, vibrant scans
• Includes a copy of SilverFast Ai Studio which is expensive on its own
• Easy to line up and insert film
• Relatively automated process
• Built-in infrared channel for dust removal

Cons

• No medium format compatibility
• Pricey

The Plustek OpticFilm 8300i AI includes a 7200dpi optical resolution (although max resolution scans can take up to two minutes). This model is more specific in what it scans, which includes only 35mm film and 35mm mounted slides. However, the Plustek stands out for the included software, SilverFast 9 Ai studio. This software lets you preview, adjust settings, and share and organize files without connecting to additional programs. Most scanners of this type max out at 35mm film, but some more expensive models will accept medium format.

This is a more professional option for people who shoot a lot of 35mm. It comes with Silverfast software, which is very advanced and requires a bit of practice. With some work, though, it provides excellent sharpness, dynamic range, and color.

A built-in infrared channel makes this scanner considerably better at automatically removing dust and scratches than a typical scanner. Plus, it’s easy to insert the film into the surprisingly sturdy holders without having to fuss around like you would with a flat bed.

Best for digital video: Wolverine 8mm and Super 8 Film Reel Converter Scanner

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Specs

• Scanner type: Film strip
• Resolution: 720p
• Formats supported: 8 and Super 8

Pros

• Saves movies to removable media
• Easy to set up
• Relatively quick
• Can play back old film movies on a TV via HDMI

Cons

• Expensive if you only have a few films to convert

The Wolverine 8mm and Super 8 Film Reel Converter Scanner fits 8 mm and Super 8 reels up to 5 inches in diameter and converts them into MP4 format. The MP4s are saved onto a removable SD SDHC card (that’s not included with the scanner). The Wolverine can also connect to a TV using an HDMI cord for playback. The scanning and conversion process is fairly slow, but if you have a lot of film to convert, this model is far more affordable than having the scanning done professionally.

Best professional: Epson Perfection V850 Pro Scanner

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Specs

• Scanner type: Flatbed
• Resolution: Up to 6,400 dpi
• Formats supported: 35mm, mounted slides, 120, 4×5

Pros

• Large scanning area makes quick work of multiple frames
• Included film holders include anti-Newton ring glass for better resolution without artifacts
• Can scan up to 4×5 images, including a wet mount option (only in the 850, not the 800)
• Included software is passable
• Dedicated infrared channel for dust removal

Cons

• Loud
• Bulky

The Epson Perfection V850 comes with a high price tag, but that’s because it includes premium features and extras. It includes film holders for 35mm mounted slides, 35mm film, medium format strips, and 4 x 5 sheet film. You can also run the scanner without using one of the holders. This model features a dual-lens system that includes high-resolution and super high-resolution lenses and automatically adjusts them based on the scanning media and resolution selection.

This has been my primary film scanner for several years now, and I’ve learned its quirks. The film holders are decent but require some finagling to get the film to lay perfectly flat. The ANR glass in the holders helps keep them off of the scanner surface itself, which is nice, but curly film can be tricky to get settled.

The 800 and the 850 are both capable of large-format film scanning. I’ve used the 800 to scan 4×5 negatives with solid results. The 850 comes with a fluid-mounting kit that makes large-format scanning much more effective. It also takes a lot more work.

You’ll occasionally run into dust issues that create solid-colored lines across the images, but it’s easily fixed with a quick wipe of the glass. You’ll just have to scan the negatives again, which can be annoying.

Best budget: Kodak Slide N Scan Film and Slide Scanner

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Specs

• Scanner type: Negative scanner
• Resolution: 22 megapixels
• Formats supported: 35mm, 110, and 126

Pros

• Very easy to use
• Preview screen makes stand-alone scanning simple
• Relatively quick
• Quiet
• Stores images on removable media or sends straight to a computer

Cons

• Image quality is just OK
• Expect to do some tidying of the scans if your negatives aren’t meticulously clean

The Kodak Slide N Scan Film and Slide Scanner includes holders for 50 x 50 hinged slides, 135 film, 126 film, and 110 film. It can also scan 35mm negatives and slides. Scans go quickly, taking only a few seconds, and they’re transferred directly to a laptop or computer via a USB cord. You can make a few adjustments to the negatives, but this model won’t correct most problems, especially film damage that comes from age.

At less than $200, it doesn’t take many rolls of film to justify the price of this device when you compare it to many image-scanning services. It also works with unusual formats (at least for today), like 126 and 110. So, if you have particularly old film hanging around, this is a simple way to digitize.

Don’t expect meticulous scans. The quality is decent but nowhere near what you’d get out of a more advanced film scanner. You’re also on your own for cleaning up the negatives before scanning unless you want to spend a lot of time retouching out dust and other objects once the scan is done.

Still, you’d be hard-pressed to find a simpler, more convenient solution for scanning old photos.

What to consider when shopping for the best film scanners

Shooting film is exciting, and it provides a look that can’t quite be replicated with digital. But you’ll want to digitize those results with a scanner in order to share the images and to keep them safely backed up in case something happens to the negatives.

The best film scanners capture the light, shadows, and colors of the original film with accuracy and clarity. When choosing, you need to be cognizant of the type of film you intend to scan and what you plan to do with the scans. Film scanners come in one of three basic types—flatbed, dedicated film scanners (also known as transparency or slide scanners), and drum scanners. 

Drum scanners provide the best scan quality. However, they’re expensive, difficult to find, and the scanning process takes a long time. For that reason, they’re not on our list since, unless you’re looking to start your own professional film scanning business, this type isn’t economical or practical. For reference, they can cost well over $10,000.

Flatbed scanners (often) offer a versatile range of uses.

If you’ve ever seen a standard photo scanner, you’ll recognize a flatbed film scanner. These models feature a clear, glass bed with a lid. You lift the lid, place the film, and start scanning. Most typical flatbed scanners have a single light source that goes under the document. Flatbeds that scan film, however, have another light source in the lid to illuminate the negatives or slides. They work by passing light through the image, which then gets reflected back to the CCD image sensor. The CCD uses red, green, and blue filters like old-school digital cameras.

These models often can work with several different formats like 35mm, slides, or format film. You will have to adjust settings based on the type of film being scanned. However, the biggest perk of a flatbed scanner is that they’re usually multifunctional, scanning developed photos and documents for digital use, too. They are popular and versatile, but some can be difficult to use, requiring setting adjustments with each scan. 

Capture deeper darks and lighter lights with a negative scanner

Negative scanners, also called slide scanners, apply the same principles as flatbed scanners but with greater precision and focus. They use a narrow beam of light that passes through the film to better replicate light intensity and color differences. These models also feature a feed that moves frames through the scanner for you. How many frames the scanner holds varies by the make and model. 

The downside with this type is that the mechanism that moves the film through the scanner can potentially scratch the film if it’s not cleaned and carefully maintained. They’re also often slow and sometimes rely on finicky software.

Photo and slide negatives aren’t the only film in need of scanning

Gone are the days when you need a projector and video camera to convert your old reels into digital format. Film scanners designed for movie reels can now do it for you. These models convert 8mm and Super 8 film reels into digital videos, which can then be edited or shared. 

These machines feature a screen to watch the film in action before and during the recording process. Some models connect to a TV via HDMI for instant playback. Each machine only fits reels of certain sizes, so check to make sure that the reels you have are compatible with the ones you are looking at. While these machines do a great job of transferring visual media, they do not have the capability to record sound. If there’s audio with your movie, you’ll have to add that in using a program or app later on.

The professional needs photography equipment that can keep up with high demand

Professionals and photographers who regularly use film may want to invest in a film scanner with a few extras. Professional-grade scanners typically offer higher resolutions, multiple lenses for greater versatility, and software that expands what you can do while scanning and with the scans once they’re done. 

Professional-grade models also include film holders of different sizes to accommodate a wider range of film types.

Save your photos and cash with a budget film scanner that’s gentle on film. What do you get for a film scanner under $75?

Many film scanners require an upfront investment, though they’ll save money in the end if you’ve got a high volume of film to scan. However, hobby photographers may not need many of the fancy extras like dual lenses and multiple film holders. 

The biggest difference you’ll notice between these scanners and more expensive models is the scan quality. Budget models may fit several film types, but they typically scan slower and offer lower resolutions with minimal correction options. They’re best for preserving film that won’t come under professional scrutiny.

FAQs

Final thoughts on the best film scanners

• Best flatbed scanner: Epson Perfection V600
• Best negative scanner: Plustek OpticFilm 8300i Ai Film Scanner
• Best for digital video: Wolverine 8mm and Super 8 Film Reel Converter Scanner
• Best professional: Epson Perfection V850 Pro Scanner
• Best budget: Kodak Slide N Scan Film and Slide Scanner

The best film scanner can take what’s old and make it new. They can also give you the power to easily edit and share the results of your current film work. Determine a budget and the scan quality that fits your goals. Whether that’s a slide scanner or flatbed will depend on the type of film you use and what you plan to do with your film once it’s in a digital format. But, the right film scanner can become a go-to among your camera equipment, saving money and giving you the ability to share your work with the world. 

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

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Best Nikon (and best overall)		Nikon Z6 II		SEE IT	This Nikon camera offers a robust set of time lapse settings.
Best dedicated time-lapse camera		Brinno BCC2000		SEE IT	This camera offers a simple and straightforward way to record time lapses.
Best for 360-degree time lapses		Insta360 X3		SEE IT	The X3 takes immersive 360-degree photos and videos with multiple easy-to-use time lapse modes.

With the right skills and gear, just about any camera can be a timelapse camera. Some, however, make it much easier than others when it comes to capturing epic time-compressed scenes. For the unfamiliar, time lapse photography involves capturing many consecutive photos at regular intervals, then compressing them into a video that depicts a long period of time in a much shorter clip. It’s handy for showing how long projects progress, documenting the stars as they move across the sky, or creating epic scenes that defy reality. Time lapse photography requires some specific skill and knowledge to accomplish. It’s very easy to make a bad time lapse. But all good projects start out with the right gear. We have selected the best time lapse cameras from each brand, as well as some catch-all options that will work no matter what camera system you typically use.

• Best Nikon (and best overall): Nikon Z6 II
• Best for beginners: GoPro Hero11 Black
• Best for 360-degree time lapses: Insta360 X3
• Best dedicated time-lapse camera: Brinno BCC2000 
• Best Canon: Canon R6 Mark II
• Best Fujifilm: Fujifilm X-T5
• Best Sony: Sony A7 IV

How we picked the best time lapse cameras

I have been a photographer and photography editor for nearly two decades, much of that time spent here at Popular Photography. I have used and reviewed nearly every major camera release in recent years and I’m a total nerd when it comes to trying out every feature a camera offers. For this article, I relied on a mixture of personal experience, industry knowledge, editorial reviews, user feedback, and spec comparisons. 

While I gave credit to cameras with the most advanced built-in time lapse features, I also considered the camera’s overall performance. Time lapse is typically just a part of what people do with their cameras. We broke them down by system because people typically already have lenses and don’t want to switch. If you’re just buying into a system and want the best time lapse features, however, both Nikon and Sony (in that order) do an excellent job.

The best time lapse cameras: Reviews & Recommendations

It’s time to get to our picks for the best time lapse cameras. We’ve broken them down by brand and also offered a few universal options that won’t require you to buy into an entirely new camera system.

Best Nikon (and best overall): Nikon Z6 II

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Specs

• Resolution: 24.5 megapixels
• Sensor size: Full-frame
• Lens mount: Nikon Z
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Slot 1: CFexpress Type B / XQD, Slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 1.4 pounds 
• Dimensions: 5.3 x 4 x 2.7 inches

Pros

• Class-leading time lapse functionality
• Excellent low-light performance
• Solid handling
• Compact
• Great overall image quality

Cons

• Some software time limits for extreme situations

If you don’t want to carry around a dedicated intervalometer, Nikon offers more robust time lapse features than any other manufacturer. The Z6 II shoots time lapses with intervals between half a second and 24 hours, with many stops in between. It can shoot up to 9,999 photos as part of a single capture sequence. Thanks to its ample processing power, it can capture both raw files and a 4K video of the time lapse you’re shooting at the same time. So, you can immediately have a high-res time lapse video as well as all the raw elements to make your own version if you want to tweak it later.

When it comes to focus smoothing, it works in just about every mode, including important ones like aperture priority, shutter priority, and even program. It shoots silently (like mirrorless cameras typically do), and it can draw power via USB-C from a battery bank, so you can worry much less about running out of juice mid-time-lapse.

Beyond its time-lapse-specific features, the 24.5-megapixels backside-illuminated sensor offers excellent overall image quality, especially in low-light situations. During regular shooting, it also offers desirable mirrorless qualities like advanced focus tracking and exposure modes. 

If you can’t justify the price of the Z6 II, the original Z6 offers many of the same time lapse features of its newer sibling for a considerably lower price. The D750 DSLR is also a great option. It’s built like a tank and gets excellent battery life. 

Best for beginners: GoPro Hero 11 Black

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Specs

• Resolution: 27 megapixels
• Sensor size: Not provided
• Lens mount: Not applicable (built-in lens)
• Image stabilization: Digital
• Memory card slots: microSD/microSDHC (UHS-I)
• Weight: 4.5 ounces 
• Dimensions: 2.8 x 2 x 1.3 inches

Pros

• Compact
• Waterproof
• Ample time lapse shooting options built-in
• Fantastic image stabilization
• App control of the camera

Cons

• No interchangeable lenses

Most people think of the GoPro as a pure action camera meant for shooting high-speed scenes like sports. The GoPro also has a surprisingly robust set of built-in time lapse tools that can handle a variety of different situations. 

The GoPro offers a Time Warp mode, which engages the camera’s advanced image stabilization functions. So, you can walk around the city with the GoPro on a stick or a mount and get a super-smooth, high-speed version of your journey. 

Time Lapse mode allows the camera at intervals between half a second and one hour for a more typical experience. It uses the regular wide-angle lens to capture this footage, which it can spit out as 4K video. 

Night Lapse mode specifically addresses shooting time lapse in the dark. It employs longer exposures at regular intervals to create dynamic scenes in reduced light. The GoPro’s small sensor can’t compete in pure image quality when it comes to mirrorless cameras with much larger sensors. But the GoPro offers one of the simplest ways to start shooting time lapse. Plus, it’s waterproof and rugged by its very nature, so you don’t have to worry about the elements affecting it during the shoot. 

Best for 360-degree time lapses: Insta360 X3

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Specs

• Resolution: 48 megapixels
• Sensor size: ½-inch
• Lens mount: Not applicable (built-in lens)
• Image stabilization: Digital
• Memory card slots: microSD/microSDHC (UHS-I)
• Weight: 6.3 ounces 
• Dimensions: 4.5 x 1.8 x 1.3 inches

Pros

• Waterproof without a case
• Various time lapse modes for photo and video
• Lots of mounting options
• Easy to use

Cons

• No interchangeable lenses
• No single-lens time lapse options

If you want truly immersive time lapses, or want the flexibility of being able to reframe while editing, the Insta360 X3 360 camera is the way to go. It features multiple time lapse modes—including TimeShift, Timelaps, Starlapse, and interval shooting—that all utilize its dual fisheye lenses to create dramatic results. And you can mount in in many different ways with Insta360’s handy accessories, so you can go totally hands-free for your time lapse shoots. 

Like the GoPro, the X3 is ruggedly built with an IPX8 rating. It is waterproof to 33 feet without a case but can go even deeper with a dive case. You’ll be able to record time lapse content in some seriously rough conditions without worrying about the camera. And you can pair your phone to the camera in order to use your phone as a remote.

Of course, as an action camera, this won’t provide the same quality as a full-frame mirrorless camera. And 360 photos and videos do have a steep learning curve in terms of editing. But if you want unique results, this camera is a fantastic choice. 

Best dedicated time-lapse camera: Brinno BCC2000

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Specs

• Resolution: 1920 x 1080
• Sensor size: Not provided
• Lens mount: Not applicable (built-in lens)
• Image stabilization: None
• Memory card slots: microSD/ microSDHC/ microSDXC
• Weight: 3 ounces (without batteries)
• Dimensions: 2.4 x 2.8 x 1.7 inches

Pros

• Very easy to set up
• Battery can last up to a year with additional cells in the optional case
• Waterproof and fine outside
• Sturdy clamp to keep it in place

Cons

• Not great for artistic pursuits

This is an industry-oriented camera meant to keep track of outdoor scenes over a long period of time. For instance, maybe you want to track the progress of a house or building as it goes up. This camera would excel in that situation. The camera itself relies on a pair of AA batteries, but with the additional waterproof case, you can add an extra 16 for a total of 18 AA batteries. That gives the camera enough juice to last for up to a year with the right shooting conditions. 

The case also makes the camera totally waterproof and ruggedized, so it can stay outside in the elements without issue. A sturdy metal clamp can hold the camera in just about any area. The camera records the images to a video file that it stores on a microSD card. 

This is a simple, functional time lapse solution.

Best Canon: Canon R6 Mark II

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Specs

• Resolution: 24. megapixels
• Sensor size: Full-frame
• Lens mount: Canon RF
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.3 pounds
• Dimensions: 5.4 x 3.9 x 3.5 inches

Pros

• Excellent overall image quality
• Great low-light performance
• Video and still time lapse mode
• Exposure smoothing in video mode

Cons

• Pricey

Canon’s mid-level full-frame mirrorless camera offers excellent image quality across the board as well as a solid suite of time lapse features. You can choose from either time lapse photos or a finished video file, and the options at your disposal change depending on what you choose. 

The video mode offers the easiest capture opportunities. The available intervals span from two seconds up to several days, so you could make a years-long time lapse video if you had constant power and didn’t mind tying up your camera for that much time. Time lapse videos allow for automatic exposure modes with exposure smoothing, but it’s capped at just 3,600 total images.

The time lapse photo mode takes a little more skill and planning, but it extends the minimum interval down to one second and provides very detail-heavy raw files for each image. This is the option you’ll want to use if you’re willing to do some heavier post-processing.

This is a great all-around camera with a full-frame sensor and Canon’s current RF mount, which also works flawlessly with older EF glass. 

If you’re looking for a budget Canon pick, the 6D Mark II DSLR is an excellent choice, and it’s roughly half the price of the R6 Mark II. At 26.2 megapixels, it offers slightly more resolution than the R6 Mark II, and it also gets excellent battery life because it’s a DSLR instead of a mirrorless camera. You could also opt for the original R6, which gives you a mirrorless body with much of the same tech as the R6 Mark II but for $200 cheaper.

Best Fujifilm: Fujifilm X-T5

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Specs

• Resolution: 40.2 megapixels
• Sensor size: APS-C
• Lens mount: Fujifilm X
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Dual slot: SD/SDHC/SDXC (UHS-II)
• Weight: 1.2 pounds
• Dimensions: 5.1 x 3.6 x 2.5 inches

Pros

• Excellent weather sealing
• Smaller and lighter than most other cameras on the list
• Excellent lenses
• Great tactile controls
• Still and video time lapse

Cons

• Still not as good as a full-frame camera in very low light

Fujifilm’s X-T5 camera is good at pretty much everything. It’s relatively light and compact thanks to its APS-C sensor inside, but it offers robust weather sealing. That’s essential if you’re planning to spend a long time outside shooting time lapse. 

In time lapse photo mode, the camera relies on its built-in intervalometer, which allows you to set the space between each shot as well as the total number of shots you want to take. You can delay the start of shooting if you want it to begin at a specific time, and you won’t be near it to press the shutter button. 

In time lapse video mode, you have similar shooting options, but you can choose to output the footage at up to 4K 30 fps resolution. The camera can also record both stills and video at the same time if you want to end your time lapse session with options. 

If you’re looking for a cheaper Fujifilm option, the X-T30 II offers similar time lapse shooting modes and overall performance for less money. 

Best Sony: Sony A7 IV

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Specs

• Specs
• Resolution: 33 megapixels
• Sensor size: Full-frame
• Lens mount: Sony E
• Image stabilization: Sensor-Shift, 5-Axis
• Memory card slots: Slot 1: CFexpress Type A / SD (UHS-II), Slot 2: SD/SDHC/SDXC (UHS-II)
• Weight: 1.4 pounds
• Dimensions: 5.2 x 3.8 x 3.1 inches

Pros

• Excellent low-light performance
• Fantastic overall performance
• Bright monitoring is very handy for compositions
• Solid weatherproofing
• Great lens options

Cons

• You have to convert your own images to a video with software

The A7 IV is the best all-around Sony camera for most people, and it’s also its best time lapse camera. It has a full-featured built-in intervalometer that captures full-res raw images at 33 megapixels. You can choose intervals between one second and 60 seconds for up to 99 minutes and 99 seconds. That’s long enough for most uses but not as long as some other options on the list. 

You can delay the start of the time lapse shooting to reduce camera shake or absolve yourself of having to be near the camera when the action begins. If the shutter speed becomes longer than the interval, it can adapt on the fly to prevent your time lapse from getting screwed up. 

Sony has added one unique feature to the A7 IV. It’s called bright monitoring, and it gives a real-time look at dark scenes that have been brightened to reveal your final composition. So, if you’re trying to capture the night sky against some trees with a long exposure, the camera will actually increase the gain in the sensor until you can see the stars as they’ll look in your final image. It’s very handy for capturing the milky way or other elaborate night sky scenes. If you can’t afford the A7 IV, then the A7 III offers many of the same features, including bright monitoring, for much less money.

Things to consider when shopping for the best time lapse cameras

Built-in time lapse modes are great, but there’s a lot more to consider when shopping for the best time lapse cameras. Here are some critical specs and features to consider when you’re browsing the market.

Built-in intervalometer

In the old days, manual cameras required a stand-alone intervalometer in order to fire the camera’s shutter on a regular schedule. Now, many cameras include baked-in time lapse features that make the process a lot simpler and eschew the need for an extra piece of gear. 

Some built-in time lapse modes are better than others. You want a mode that gives you flexibility when it comes to variables like the format of the time lapse and how many frames it captures every minute.

Low-light performance

Night time lapses can create some truly phenomenal imagery, especially when you start to integrate stars and the trails they leave as they move across the sky in front of an open camera shutter. Shooting in the dark also adds an extra layer of challenge to the equation, and choosing a body with solid low-light performance will help a ton. 

You don’t simply want to find the camera with the highest maximum ISO. You want a camera that will provide clean, low-noise images at reasonably high ISOs. While full-frame sensors typically do an excellent job of this, they’re not absolutely essential. You’ll find a mixture of full-frame, APS-C, Micro Four Thirds, and even smaller sensors on this list.

Exposure smoothing

Even if a camera has a built-in intervalometer, it may still leave you with irregular, inconsistent, or flickering exposures. Some cameras offer a feature called exposure smoothing, which automatically adjusts the exposure of the individual frames to make changes more gradual and results more consistent. If you’re shooting a time lapse of a sunrise, for instance, it will start in the dark and end in full daylight. That’s a big jump in exposure. You’ll likely want a camera that can automatically accommodate that change unless you want to manually babysit it the whole time. 

Battery life

Time lapse shooting can be hard on a camera’s battery. You need it to last long enough to cover the entirety of your shoot. And while many cameras charge via USB-C, you can’t rely on charging them with a portable power bank or other power source out in the wild. Some may allow for external power when it comes directly from an outlet, but that’s not very handy when you’re out in the world. 

Time lapse video vs. traditional time lapse

Some cameras offer simple intervalometers that capture typical photos in a regular cadence as the scene unfolds in front of it. At the end of the process, you’re left with a collection of regular (likely raw) photos that video editing software can mash into a clip. Some cameras skip the typical photo step and mash the photos together into a video for you. As a result, you don’t have to worry about creating the clip yourself in software later on. If you want maximum control, the individual photo method can be desirable. It’s also handy if you want to do something like exposure stacking in which you lay many of the same files over the top of each other to show movement happening in the frame. That’s a common technique for making star trail photos that wouldn’t be possible in a single long exposure. 

Maximum photo count

Cameras typically have a maximum photo count when it comes to time lapse modes. It’s often just under 1,000 shots. If you want to go longer than the camera’s built-in capabilities, you’ll need extra equipment. 

Weatherproofing

Many time lapse shoots happen outside where the elements can cause problems. Even if it’s not raining outside, drastic changes in temperature and humidity can play havoc with your equipment. Paying extra for gear that’s weather-sealed could make a huge difference in your time lapse shooting experience. 

FAQs

Final thoughts about the best time lapse cameras

• Best Nikon (and best overall): Nikon Z6 II
• Best for beginners: GoPro Hero11 Black
• Best for 360-degree time lapses: Insta360 X3
• Best dedicated time-lapse camera: Brinno BCC2000 
• Best Canon: Canon R6 Mark II
• Best Fujifilm: Fujifilm X-T5
• Best Sony: Sony A7 IV

The Nikon Z6 II takes the crown for the best time lapse camera in our opinion. It’s a solid all-around shooter, but it also offers the most robust set of time lapse features we’ve found on a body yet. If you’re just looking to dip a toe into time lapse, the GoPro really is an excellent choice that’s easy to use, easy to carry around, and very cheap compared to the system cameras on this list.

Why trust us

PopPhoto has a long history of delivering the opinions of some of the sharpest and most prolific camera dorks the world has to offer. Since 1937, we’ve been reviewing cameras, providing wisdom from well-known photographers, and generally just nerding out about all that goes into making great pictures. Our current crop of writers and editors have decades of professional photography and camera writing experience among them. Collectively, we’ve probably shot with just about every camera and lens combo you can imagine—as well as some obscure stuff you may not even know about. Remember the Casio Tryx folding camera? PopPhoto does.

We also get that buying a camera is a big decision, which is why we’re dedicated to helping folks choose the right one (or, in our case “ones”) for their needs. Case in point: Handing over top dollar for an expensive rig may leave you unsatisfied if it doesn’t fit your preferred shooting style. Sure, a $6,000 sports-oriented DSLR can capture landscapes, but do you really need to do it at 30 frames-per-second? No, you don’t.

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Amazon makes it almost too easy to buy just about anything. You can make a single order that contains a popcorn maker, a three-pack of boxer briefs, and a coffin and you’ll get free shipping on all of it. But when it comes to film, the world’s retail mega-goliath tends to fall short.

Stephen Swett from Coastal Film Lab recently posted in the Film Photographers Facebook group about trouble customers have been experiencing with film bought on Amazon. “We have recently noticed a number of customers with fresh film from Amazon getting really poor results,” he explains. “We decided to buy some Portra 400 from them to test and see, and sure enough it seems they are storing it improperly.” The sample image he provides clearly indicates heat damage with an ugly color shift, a noticeable fade across the entire image, and some ugly grain well beyond what you’d expect from Portra 400.

Obviously, this amount of effort doesn’t count as a thorough scientific experiment, but this absolutely isn’t a new story. In fact, I had a very similar experience just a few years ago when I got a great deal on 20 rolls of Kodak Ultra Max 400 from Amazon, only to find out that it had almost certainly suffered heat damage similar to what I described above.

Most of the Amazon film troubles stem from the fact that it’s often sold by third-party sellers on the Amazon platform. Film typically endures some heat fluctuations in transit. Even well-known camera stores still get their film off of unrefrigerated trucks that travel long distances for delivery. But real heat damage takes very hot temperatures and prolonged exposure, which dedicated photo retailers can typically avoid.

You may get totally fine film ordering from a seller on Amazon, but it’s more of a gamble. Consider the fact that film is often way more expensive on Amazon than it is elsewhere, and the gamble really doesn’t seem worth the risk. A single 120 medium format roll of Portra 400 on Amazon will set you back $20 at present. You can get it cheaper by paying $130 for 10 rolls in two five-packs. I typically buy my film from Unique Photo, and it currently charges $12.60 for the same single roll. The price drops to $11.95 if you buy more than 20 rolls. I typically buy 20 or more and cold-store them for that bulk discount.

If you’re looking for a good, trustworthy place to buy film, I’ve already mentioned Unique above, and that seller has always treated me well. I also really like Freestyle, which is a west coast-based shop that sells a ton of film and film accessories. Recently, Moment has jumped into the film market and regularly offers very solid prices on fresh stocks. And, of course, you can order from B&H and Adorama, both of which have been very reliable when it comes to film purchases over the years.

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When you think of action cameras, you probably immediately think of the GoPro. It is the best, after all. But it’s also kinda pricey, even when it’s on sale. It hurts to drop a $400+ camera into the lake or off of a cliff. Right now, Amazon is selling the surprisingly good Akaso Brave 7 action camera for just $139 when you check the box for the on-page coupon. It offers an unexpected suite of specs for that price and dramatically reduces the anxiety that comes with putting your action cam in serious danger while capturing your adventures.

AKASO Brave 7 4K30FPS 20MP WiFi Action Camera $139 (was $179)

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This action camera can capture 4K footage at up to 30 fps, which isn’t quite the high framerates you’d get with a GoPro, but you’re also paying less than half the price. It can also capture 20-megapixel stills. The camera itself is waterproof down to 33 feet without the need for an extra case. Its IPX8 rating also suggests that it can withstand bumps, falls, dust, and pretty much whatever else you can throw at it.

The back of the camera sports a touchscreen display, while the front offers a small screen that comes in handy for composing shots of yourself. That’s useful for action situations, but it’s also great if you’re trying to shoot a vlog or some other walk-and-talk style video.

This is a great option if you have a kid that’s into action sports and they want to start getting their own extreme footage. Or, if you just like putting cameras in danger to get cool shots and you haven’t hit that sweet Mega Millions jackpot just yet.

The post Get a fully waterproof 4K action camera for $139 at Amazon right now appeared first on Popular Photography.

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