Best overall		Rode K2		SEE IT
Best budget		Audio-Technica AT2020		SEE IT
Best binaural		3Dio FS Binaural Microphone		SEE IT

There aren’t many performances more dependent on the microphone than ASMR videos, which is why it’s critical to have a quality ASMR microphone. Creators in this space use their gear choices and production techniques to create an audio fingerprint that can form a huge part of their brand and identity. While any quality vocal microphone can trigger the “autonomous sensory meridian response,” viewers choose and often stick with creators because of particular audio characteristics in their recordings. 

Selecting the right microphone to use in your videos can accentuate the facets of the recording you want to highlight. So whether you’re looking for high-quality spatial recordings or an easy-to-use mic for your smartphone videos, this article will help you find the best ASMR microphones for elevating your content. 

• Best overall: Rode K2
• Best budget: Audio-Technica AT2020
• Best binaural: 3Dio FS Binaural Microphone
• Best mini: Samson Go
• Best USB: Blue Yeti 
• Best stereo: Rode NT4

How we picked the best ASMR microphones

When considering a broad topic such as ASMR video creation, we feel it is essential to look at a wide range of large diaphragm, binaural and stereo microphones. Narrowing down the field to present these in a single article has been challenging, so we focused on budget to mid-range options, highlighting the use-case for each microphone. In addition, pleasing high-frequency response, user experience, and visual design have been taken into account to produce a diverse collection for you to consider for your ASMR videos.

The best ASMR microphones: Reviews & Recommendations

Best overall: Rode K2

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Why it made the cut: You’ll get silky smooth delivery of higher frequencies and overall warm sound from this real valve microphone.

Key features:

• Type: Condenser
• Connection: XLR (separate power supply included) 
• Pattern: Continuously variable between omnidirectional, cardioid, figure-of-eight

Pros

• Highly detailed, valve warmth at an affordable price
• Flattering and smooth-sounding high end
• Classic styling for both microphone and included accessories

Cons

• Separate power supply is bulky

When considering large diaphragm condenser microphones for ASMR, there is a fine line between tingly and harsh-sounding. Vocal microphones typically focus on a balanced and accurate sound across the full audio range, and in many ways, the Rode K2 provides this. Where it excels against its competition is in the pleasing warmth in its high-frequency delivery. The vintage-style components of valve microphones like the K2 might not be as clinically accurate as their modern-day counterparts. But the glass tube at their heart provides a round and polished signal that is perfect for ASMR videos. 

The K2’s one-inch gold-sputtered diaphragm comes housed in a timeless tube-shaped metal body. In addition, it is supplied with a heavy-duty, cats-cradle style shock mount, essential for a microphone weighing in at over a pound and a half. 

Valve microphones often require external power supplies, and the K2 is no different here. The large power supply included with the microphone is a bulky but functional affair. And it also houses a sturdy rotary control that seamlessly sweeps between the different microphone patterns. This control lets you dial in the response you need for your ASMR performance if you use both tools and your voice in your videos. 

While this might not be the easiest of our picks to set up, the warm high-frequency response is worth the time investment and will wow any ASMR audience.

Best budget: Audio-Technica AT2020

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Why it made the cut: It has a crisp and highly detailed response in a simple, affordable package. 

Key features:

• Type: Condenser
• Connection: XLR (phantom power required), also available as a USB mic
• Pattern: Cardioid

Pros

• Detailed audio quality well above its price-point
• Pleasing high-frequency output
• Responds well to a wide range of sources

Cons

• At this price point, not a lot

While other budget microphone brands add features to their models, Audio-Technica has achieved a brilliant simplicity in the design of the AT2020. Available in black, white, and chrome finishes, the sleek, slightly tapered body houses an incredibly versatile 5/8-inch capsule. The sound, while neutral, is pleasantly airy and has a clarity seldom found at this price point. It’s easy to see how this microphone has fast become a favorite of home studios.

In terms of features, the AT2020 has no built-in controls or selectable patterns. The lack of controls isn’t a bad thing, though, as there is nothing for less experienced users to get wrong. The cardioid pattern responds well to all kinds of audio signals and is forgiving when it comes to positioning and distance from the sound source. 

What this microphone lacks in switches and gubbins, it more than makes up for in clear, detailed audio with open-sounding high frequencies perfect for ASMR content creators.

Best binaural: 3Dio Free Space 

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Why it made the cut: The 3Dio Free Space is an affordable option for binaural recordings in a compact, easy-to-use package.

Key features:

• Type: Binaural, using two matched condenser capsules
• Connection: ⅛ inch stereo jack
• Pattern: Omnidirectional stereo image

Pros

• True binaural recording
• Compact, self-contained stereo microphone
• One of few options to include molded ears

Cons

• Highly specialized microphone, not suitable for traditional recordings
• Visual design could be refined

It should go without saying that the Free Space microphone is a tool with a specific and very narrow application. That said, the audio captured is highly effective at providing a stereo image that tricks the listener’s brain into a sense that they are in the ASMR performer’s studio. 

Aside from the human-like ears, the design is rather boxy and utilitarian. Still, everything is laid out clearly with a standard microphone thread alongside the stereo jack connection on the bottom of the microphone. In addition, there are two large toggle switches on the back. One is for power and the other for a bass roll-off that filters out frequencies below 160Hz, providing a cleaner signal, more akin to what you’d experience in person.

Unsurprisingly, the market for specialty binaural microphones with molded prosthetic ears isn’t flooded with affordable options for ASMR creators. Thankfully, 3Dio takes pride in the immersive audio tools they produce. Its Free Space microphone is a great option for anyone looking to venture into the world of binaural ASMR videos.

Best mini: Samson Go 

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Why it made the cut: A full range of features and well-thought-out design keep this veteran mini microphone relevant for ASMR. 

Key features:

• Type: Condenser
• Connection: Mini USB
• Pattern: Cardioid / Omni

Pros

• User-friendly design
• Plug and play with Mac and Windows
• Fully featured USB mic in a small package
• Travel pouch and stand included

Cons

• Limited external controls on microphone

The small, rectangular body of the Samson Go at first seems unremarkable. But a lot of thought has gone into this design, allowing it to stand the test of time. The microphone is attached to a metal clip, almost the same size as the microphone. This clip is intended to connect to a laptop screen but doubles as a desk stand. And it has a threaded mic stand adapter built in. 

This kind of adaptable user focus is carried over to the audio features. The single switch on the microphone’s body allows you to choose between two cardioid patterns, one with a 10 dB drop in case audio is clipping and an omnidirectional mode. The other side of the microphone houses two connectors, one for USB and the other for attaching headphones. 

The audio supplied by the Samson Go is crisp and clear. It’s tailored toward speech, with a pleasing high end that works well for ASMR duties. While some of the features, like the mini USB connection, could use an update, the overall design and audio quality are hard to fault at this price point.

Should you want something a bit different, another small microphone option is wireless lavalier microphones.

Best USB: Blue Yeti

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Why it made the cut: Excellent stereo and mono patterns alongside plug-and-play ease come at a competitive price. 

Key features:

• Type: Condenser
• Connection: USB
• Pattern: Multi-pattern Cardioid / Bidirectional / Omnidirectional / Stereo

Pros

• Frequency profile well suited to ASMR videos
• Focus on ease of use with plug and play connection
• Clear controls spread across the front and back of the microphone
• Stereo mode for spatial recording

Cons

• USB only

When considering USB microphones for any application, it’s hard to ignore the feature list and build quality found in the Blue Yeti. This is especially true for ASMR video producers, as the Yeti doubles as both a great large diaphragm condenser mic and also a very capable stereo microphone. 

Already popular with ASMR creators, its sensitivity and frequency response are perfect for the genre. The slight dip found in bass frequencies and the high-end bump make performances sound crisp and airy. In addition, the microphone’s high sensitivity means that you can achieve a range of sounds at different distances to the microphone. 

The heavy desk stand included with the Yeti is functional. But, most ASMR creators will probably want to invest in a separate, more adaptable mic stand. Luckily, the microphone features a standard thread on the bottom of the microphone. Controls for volume, pattern, and monitoring are spread between the front and back of the microphone and are clear and easy to use. 

The packed features, audio profile, and plug-and-play usability of this model make the Blue Yeti easy to recommend.

Best stereo: Rode NT4 

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Why it made the cut: The Rode NT4  provides studio-grade stereo audio without the fuss of setting up multiple microphones.

Key features:

• Type: Matched condenser capsules in X / Y array
• Connection: Stereo XLR or ⅛-inch mini-jack 
• Pattern: Stereo Cardioid

Pros

• Works either with a battery or phantom power
• Studio-quality microphone that can be connected directly to a camera
• Excellent stereo image

Cons

• Requires stereo mic input 

The most commonly used method of recording stereo audio in the studio is still to set up a pair of microphones, often in an X / Y pattern at 90 degrees of each other. This setup, however, requires two quality microphones with matched output, two mic stands, an audio interface with two inputs, and software that will stitch the output into one stereo track. 

In the NT4, Rode has done the heavy lifting for us, providing two quality 1/2-inch capsules in one microphone. In addition, by including the option to power the NT4 using a battery, this mic can also deliver audio via a 1/8-inch mini-jack cable, perfect for plugging into a camera. To accommodate the battery, the body of this microphone is both wider and longer than a standard handheld microphone. But it comes with a sturdy clasp for mic stands, as well as a foam windshield and travel pouch. 

Thanks to the X / Y pattern, recordings from this microphone are free from any phasing effects. They also don’t have any heightened room reflections that can sometimes creep into tracks from two separate microphones. The beautifully detailed stereo is perfect for ASMR artists that want to get close to the microphone for an immersive performance that doesn’t require additional setup. 

Things to consider before buying a microphone for ASMR

Connection type

Most ASMR artists use a single microphone or stereo pair to create their videos. Some of this video genre’s greatest successes haven’t come from diverse technical equipment and innovative recording solutions. Instead, ASMR audiences seem to gravitate towards simplicity, repeatability, and consistency. With this in mind, USB microphones can provide a simple-to-use solution in a compact package within a setup that doesn’t need to grow.

The quality and features of USB microphones have vastly improved in recent years, with plenty of great options on the market. That said, most professional microphones designed for use in studios use an XLR connection. These microphones require a separate audio interface to pipe the audio into your computer or camera. 

Purchasing another piece of gear to be able to use your microphone might not be an attractive proposition. But the enhanced definition and overall audio quality that a studio microphone and audio interface can bring to your recordings can truly elevate an ASMR video. 

The microphone as a part of the performance

Some ASMR creators keep their microphones out of frame, while others prefer to make their interaction with the microphone part of their performance. This performative element could significantly change your requirements. For example, if you’re looking to tap or brush the microphone for ASMR effects, you’ll need a microphone with a texture that responds to this in a pleasing way. Likewise, if you’re looking to speak into different parts of the microphone to create stereo content, you’ll need a microphone that can deliver a stereo signal. 

If you are also a vlogger on top of ASMR artist, check out these microphones for vlogging.

Trust the results

One of the greatest things about choosing audio gear is that there are great example recordings online of each microphone model. Plug in your favorite speakers or headphones and have a listen to different recordings. Many ASMR creators keep their microphone in the shot, so it’s easy to see what they’re using. Compare the results of different creators and trust what your ears are telling you. 

FAQs

Final thoughts on the best ASMR microphones

The creativity found in ASMR videos requires very different microphones suited to each creator’s needs, and it’s great to see brands meeting this with a diverse range of options. Some incredible tools are delivering spine-tingling results at the higher end of the market, but we’ve also found some great deals with more inexpensive gear. So, whatever kind of ASMR content you’re creating and no matter your budget, we’re confident you can capture audio that triggers your audience’s Autonomous Sensory Meridian Response.

The post The best ASMR microphones in 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Shure SM7B		SEE IT
Best USB		Shure MV7		SEE IT
Best for beginners		Blue Yeti		SEE IT

Microphones for podcasting, like the medium itself, have become more accessible and popular in recent years. Thanks to its adaptability, podcasting has established itself as a mainstay of many brands’ marketing strategies. And this accessibility also brings in a constant flow of new podcasts and podcasters. Many top podcasts start with great ideas, engaging content, and an utter disregard for audio quality. You can capture brilliant conversations on gaming headsets and video conferencing microphones, but they always end up sounding like a Monday morning video call with the office. Whether you’re a beginner or already hosting a popular podcast, high-quality audio will keep your audience listening and help you stand out from the podcasting crowd. We’ve got the best microphones for podcasting to take your recordings to the next level. 

• Best overall: Shure SM7B
• Best USB: Shure MV7 
• Best for beginners: Blue Yeti
• Best handheld: IK Multimedia iRig Mic HD 2
• Best wireless: Rode Wireless Go 

How we picked the best microphones for podcasting

When selecting our picks for the best microphones for podcasting, we have focused on audio performance for spoken word and user experience. For each category, we have considered different use cases and scenarios, highlighting features that will affect recordings with varying types of podcasts. Where appropriate, we have also evaluated construction and materials as a point of differentiation for certain microphones.

The best microphones for podcasting: Reviews & Recommendations

Best overall: Shure SM7B 

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Why it made the cut: Crisp, neutral speech and great isolation for vocals make this the dynamic microphone to beat.

Key features:

• Type: Dynamic
• Connection: XLR
• Pattern: Cardioid

Pros:

• Excellent results with spoken word
• Great acoustic and electric shielding for use in untreated rooms
• Rugged aluminum design with built-in pop screen

Cons:

• Requires an audio interface

Not all radio announcers, voice-over artists, audio-book narrators, and podcasters use Shure’s SM7 line, but enough of them do to make this THE dynamic microphone for recording speech. This level of clarity and crispness from vocal performances would be worth a compromise in user experience, but no compromise is required here. Its construction is rugged, using an aluminum body and brass mounting. And the signature, swiveling side-mount is easy to position and reposition with both free-standing and desk-mounted mic stands.

One of the microphone’s simplest features is one of its most brilliant design choices. This microphone is end-address, i.e., you speak down the length of the microphone, not into the side. This style means that the microphone’s body helps isolate the capsule from audio and electrical sources. It results in focused recordings and great separation between speakers for sessions with multiple microphones. 

As a dynamic microphone, the SM7B zeros in on the loudest sounds in its proximity, giving relatively dry-sounding results even in untreated rooms. So if you struggle with room noise and can’t put up acoustic conditioning where you usually record your podcast, an SM7B can go a long way in improving your overall sound quality. While this is the most expensive microphone on our list, it remains surprisingly affordable as an industry favorite and overall best microphones for podcasting.  

Best USB: Shure MV7

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Why it made the cut: It has some of the best features from Shure’s professional line in a user-friendly USB package.

Key features:

• Type: Dynamic
• Connection: USB and XLR
• Pattern: Cardioid

Pros:

• Versatile connectivity 
• Excellent sound quality in comparison to other USB microphones
• Shure user experience without an audio interface

Cons:

• Touch controls not to everyone’s taste

USB microphones have come a long way in the past decade, and the MV7 is a testament to all they can be. While on the pricier end of the market, the focused, dynamic sound is outstanding compared to its USB peers. It has much in common with the professional SM7 line, though the audio may not achieve the same crispness. However, a lot of the signature sound is replicated within the MV7’s dry and neutral tones.

Shure has also added XLR connectors to its USB microphone. This connection turns the MV7 into a microphone that grows with your setup. Podcasters may begin using it in USB mode at home for smaller projects before expanding their recording arsenal with an audio interface and other XLR microphones. The audio quality is certainly there to carry this microphone into professional settings.

Many will still see USB microphones as amateur or consumer products, but they have steadily been adding features that wouldn’t be possible or suitable for traditional microphones. In the case of the MV7, we find a headphone socket for monitoring and touch controls for volume and mute. If we had to find fault with this microphone, it’d be that the touch controls are not to the taste of all users as they do not provide tactile feedback.

The MV7 is compatible with mobile devices and computers and comes with a very capable companion app designed with beginners in mind. Featuring automation and a few presets, the app makes it easy to get great recordings with little know-how. The software also includes more in-depth features such as EQs, compressors, and limiters for more experienced users.

Best for beginners: Blue Yeti

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Why it made the cut: Plug-and-play ease and a host of features come in at an incredibly competitive price. 

Key features:

• Type: Condenser
• Connection: USB
• Pattern: Multi-pattern (Cardioid / Bidirectional / Omnidirectional / Stereo)

Pros:

• Easy to use with Plug-and-Play connection
• Clear controls spread across the front and back of the microphone
• Built-in stand

Cons:

• USB only
• High sensitivity may not be the best choice for users in lively rooms 

Plug-and-play is a massively underrated feature for entry-level gear. In the hands of beginners, simple gear produces better results. A microphone that works without fiddling is a massive step towards feeling at ease to create your best work, which is what the Blue Yeti delivers. 

The connectivity is not the only simplicity-focused feature. The included desk stand is heavy and sturdy, meaning there’s no need to set up a boom stand. A standard mic thread is also present on the bottom side in case you want to use a different stand. The microphone’s body is heavy enough to double as gym equipment and, when coupled with the desk stand, makes for a durable package that protects the sensitive condenser capsule within. 

The controls are a good size and are spread between the front and back of the mic. This arrangement provides the space needed for these to be clear and easy to use in contrast to the tiny cramped controls often found on microphones at this price point. Monitoring comes from a headphone jack on the underside of the mic next to the USB connector. This placement allows you to tuck cables away neatly when using the desk stand.

The audio delivered from the Blue Yeti is more than adequate for this price point. As a condenser microphone, it’s sensitive and captures voice well with a slight dip in bass frequencies and a small bump in high frequencies. It results in crisp and natural-sounding speech. The microphone’s sensitivity, though, will also capture PC fans and any hums in the room. Because of this, you’ll want to make sure you record in a quiet room.

The multi-pattern features of the Yeti are a nice add-on. They extend the use of the microphone past just capturing a single speaker using the cardioid pattern. Though far from the ideal scenario, placing the microphone between presenters and guests and using omni or bi-directional modes can provide acceptable results for interviews. 

Best handheld: IK Multimedia iRig Mic HD 2

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Why it made the cut: It has surprisingly good audio from a handheld microphone and is designed with mobile creators in mind.

Key features:

• Type: Electret Condenser
• Connection: USB
• Pattern: Cardioid

Pros:

• Audio performance punches above its budget
• Rugged metal construction
• Includes travel pouch, desk stand, and mic stand adapter

Cons:

• On-mic gain and headphone volume controls are fiddly

Not all podcasters sit at a desk to record. Creative programs require on-the-go solutions that result in great-sounding recordings from the field. For example, you might be recording travel and nature or interviewing guests on location. A traditional handheld microphone’s simple and intuitive form factor can be easily passed between speakers and pointed directly at audio sources. 

IK Multimedia’s awkwardly named iRig Mic HD 2 stands out in a sea of handheld USB microphones by providing excellent audio from a model in this price range. It’s not just the condenser capsule that over-performs. The internal A/D converters supply audio up to 24bit and sample rates of up to 96 kHz, squeezing the most detailed recordings they can from the overall package. 

This microphone is built to be used out and about with a durable metal body. The USB connector on the bottom of the microphone is recessed into the body to secure the connection. In addition, the multi-color indicator LED is bright enough to be seen outdoors. Our only gripe regarding the design is with the recessed controls. Intended to avoid accidental changes while recording, it results in awkward operation when you do need to make adjustments. 

When you’ve finished your field recordings, the iRig includes a desk stand. And it plays well with Mac and Windows devices as well as smartphones.

Best wireless: Rode Wireless Go II

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Why it made the cut: It’s a tiny, innovative, and user-friendly solution for recording multiple sources anywhere.

Key features:

• Type: Condenser
• Connection: Wireless / USB / 3.5mm TRS analog 
• Pattern: Omnidirectional

Pros:

• Ultra-portable
• System comes with two microphones
• Clear audio response for speech despite the small size

Cons:

• Not practical to use in a traditional set-up

Podcast recording doesn’t have to mimic a radio station. The great thing about the breadth of the sector is that it’s perfectly suited to those that want to break free from the mold and do things differently. The Rode Wireless Go II presents an all-in-one package that could change how you record your podcast. It can free podcasters from their desks, whether it’s to provide a more relaxed feel on a sofa, get you out on location, or to record conversations during an activity. 

The system features two transmitters with built-in microphones and one receiver which connects to your smartphone, PC, or even camera. Single transmitter systems are also available. The transmitters are tiny and are designed to clip onto collars or shirts. Setting up a recording is simple, and it’s easy to forget the microphones are there once a conversation has started. 

The system features onboard recording, meaning each transmitter can record to its own internal storage. You can use this instead of another device, but most people will choose to use this as a backup in case there are problems with the main recording. 

The audio quality won’t be at the same level as large studio microphones, but it is excellent for what are essentially lapel mics. Plus, it’s more than adequate for podcasts. The design focuses on portability, but the light plastic body and clips don’t feel fragile or cheap. The minimal design also extends to the controls, which you’ll mainly access via the Rode Central App. 

The Wireless Go system rethinks what audio recording can be, and we’ve only scratched the surface regarding features. If large microphones, desk stands, and cables aren’t your thing, this could present an attractive recording alternative.

Things to consider before buying the best microphones for podcasting

Podcasting can be a straightforward art form, but you can also quickly get into the weeds when trying to decide which are the best microphones for podcasting. The environment you are recording in, the number of people that are involved, and the format of your show will all impact which device is best. Below are some of the key specs to pay attention to when shopping around. Or, if you are a vlogger, we can also help with choosing the best microphones for vlogging.

The right microphone for the job

Most microphones on the market are either dynamic or condenser, describing the technical way the microphone picks up sound. Neither design is better with high-quality microphones produced in both types, but they do sound different. Without getting into technical descriptions of microphone construction, we can identify the broad characteristics of each design. 

Dynamic microphones are durable and can handle louder sounds without distorting. They are often not as sensitive as condenser microphones, resulting in drier source audio and less ambient noise. In practice, for podcasters, this will often mean more of your voice and less of the sound of the room you’re in. In addition, these microphones don’t usually require a powered connection (phantom power). While they produce a less detailed sound than their condenser cousins, a good dynamic mic can still deliver excellent audio quality.

Condenser microphones, on the other hand, are more sensitive and generally produce a much more detailed result across the whole audio spectrum. The sound quality is essential for podcasters because while your voice may sound crisp and warm, you will also be capturing more ambient noise and reflections from nearby surfaces. Unfortunately, condenser mics are generally more fragile. They don’t get on well with very loud noises, extreme temperature changes, or being dropped. 

Most popular podcasts use dynamic microphones like the Shure SM7B, but if you’re interested in capturing the detailed characteristics of your voice, condenser microphones can also make an excellent choice. 

Connectivity

USB microphones are sold as all-in-one solutions for people who don’t have an audio interface and don’t want to purchase one. In practice, though, this sees manufacturers shrinking the important bits of an interface and fitting them into the body of the microphone. Some brands have got really good at this in recent years, and we stand by the USB picks on this list as great audio tools for podcasters.

When comparing a USB microphone to an XLR microphone, it is essential to understand that the cost of USB models will also include internal analog to digital converters and power supplies. These are absent from XLR microphones as they will use an audio interface bought separately. This means that a similarly priced XLR microphone will almost always outperform its USB counterpart in audio quality.

USB microphones remain great tools for beginners and those who never see their needs growing past a single microphone setup. But, at least for now, professional productions still favor separate microphones and audio interfaces.

Pattern types

A microphone’s polar pattern describes how sensitive it is from different directions. Most microphones use a cardioid pattern, named after the invisible heart-shaped sensitivity bubble around the microphone. These microphones are great at capturing what is directly in front of them (the point of the heart). And they hardly pick up any audio from behind the microphone (the dip in the heart).

Omni-directional microphones are equally sensitive regardless of the angle at which you speak into them. Figure-of-eight or bi-directional microphones capture audio from the front and back and hardly any from the sides. 

Trust your ears

If, after reading this article, you’re still undecided ont he best microphones for podcasting, we’d recommend having a listen to the microphones you’re considering. The great thing about choosing audio gear is that there are always great examples of recordings from different microphones online for you to listen to on your favorite speakers or headphones. Even though there are features and specs to pay attention to, at the end of the day, all that matters is that you like the sound coming from the mic. 

FAQs

Final thoughts on the best microphones for podcasting

Shure dynamic microphones remain the best microphones for podcasting. But, innovative audio solutions and feature-packed USB microphones present very compelling cases for podcasters looking to get away from traditional setups. A focus on workflow and user experience is shaping the sector, and it’s exciting to see products that meet these new preferences. 

The post The best microphones for podcasting in 2023 appeared first on Popular Photography.

Articles may contain affiliate links which enable us to share in the revenue of any purchases made.

Best overall		Audio-Technica ATH-M50X		SEE IT
Most comfortable		Beyerdynamic DT 770 PRO		SEE IT
Best wireless		Sony WH-1000XM4		SEE IT

There will always be a place for high-end headphones for video editing in a videographer’s workflow. But now more than ever, video editing is done on the go. Because of this, we need great headphones to complement our mobile setups. As our workloads extend and diversify, we also expect more from a pair of cans.  Video professionals often use the same headphones to monitor recordings in the field, edit shots in shared workspaces, and even sign off on final mixes from our homes. 

Prosumer headphones often blur the boundaries with the studio headphone market creating a confusing cloud of frequency response charts, ohm ratings, noise-canceling technologies, and wireless options. That’s before we consider comfort, weight, and ergonomics for a piece of gear we’ll be strapping to our heads for hours at a time. It’s a complex picture even for the most audio-savvy videographers, so we’re here to help find the best headphones for video editing that suit your needs and budget. 

• Best overall: Audio-Technica ATH-M50X
• Most comfortable: Beyerdynamic DT 770 PRO
• Best wireless: Sony WH-1000XM4
• Best on-ear design: Sennheiser HD25
• Best under $100: Sony MDR-7506
• Best open back: Beyerdynamic DT 990 PRO
• Best budget: Beyerdynamic DT 240 Pro

How we picked our the best headphones for video editing

When selecting the best headphones for video editing, we have chosen from widely available headphones in the $80-$300 price range. Our picks were made by considering comfort, ergonomics, design choices, and features. In addition, we looked at technical data such as frequency response, impedance, and sensitivity. Our results have prioritized user experience and comfort for video editing work over technical details. 

The best headphones for video editing: Reviews & Recommendations

Best overall: Audio-Technica ATH-M50X

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Why it made the cut: Outstanding clarity and fidelity meet a durable and collapsible design to create industry-standard studio headphones you can take anywhere. 

Key Features:

• Design: Over-ear, closed-back design
• Weight: 10 ounces
• Frequency response: 15 – 28,000 Hz

Pros:

• Excellent accuracy across the audio range
• Great ergonomics thanks to swivel over-ear cups
• Detachable cable for easy swaps between different types of work
• Durable, collapsible design for portability

Cons:

• Noise isolation could be better

Since its release in 2007, the Audio-Technica ATH-M50 has outclassed many of its more established rivals to become an industry-standard found in recording studios around the globe. At launch, the market was dominated by competitor models that hadn’t changed much since the early 90s. The ATH-M50 ushered in modern design features in compact, collapsible, yet still truly over-ear headphones.

The 45mm diameter drivers sit close to the ear. Users are met with a pleasing yet still relatively flat response across the frequency range, with a slight bump in the bass characteristic of the closed-back design. While achieving excellent audio accuracy, the sound isn’t overly harsh. As a result, you can use these headphones for long sessions with very little listening fatigue. The portable design, great comfort, and excellent audio profile make these an easy recommendation for our choice of best headphones for video editing. 

Most comfortable: Beyerdynamic DT 770 PRO

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Why it made the cut: These studio classics remain serious contenders for any audio work thanks to their excellent ergonomics coupled with a solid, neutral response.

Key Features:

• Design: Over-ear, closed-back design
• Weight: 9.5 ounces
• Frequency response: 5 – 35,000 Hz

Pros:

• Excellent comfort for long work sessions
• Good passive noise reduction
• Neutral response across frequency range for accurate editing

Cons:

• Non-detachable cable with otherwise replaceable components
• Bulky, non-collapsible design isn’t the best for on-the-go working

If you’ve ever struggled to find comfortable headphones or are constantly readjusting to find the right fit, Beyerdynamic DT 770 PRO’s large, soft, padded ear cups are here for you. Still built in Germany, this music industry stalwart has stood the test of time since the mid-eighties. And while many choose the DT 770 PRO for its outstanding comfort, they stick with it for the great, neutral audio it provides. 

The large ear cups also provide excellent, passive isolation from noisy environments, but that comes with the price of a bass boost in the lower registers typical of closed-back design. These headphones also come in a range of different ohm ratings. That means that regardless of whether you’re plugging straight into your laptop or you using a high-end audio interface, there will be a suitable model for you. 

While the 770s will probably be too bulky for most people to consider traveling with, we’d struggle to suggest a comfier and better-sounding pair of headphones if you mainly work from one location.

Best wireless: Sony WH-1000XM4

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Why they made the cut: Technological innovation and attention to detail make these high-end consumer headphones an excellent choice for the videographer that wants headphones for more than just their work.

Key Features:

• Design: Over-ear, consumer wireless headphones
• Weight: 8.9 ounces
• Frequency response: 4Hz – 40,000 Hz

Pros:

• Increased wireless audio quality thanks to proprietary technologies
• Active and adaptive noise reduction for busy workspaces or travel
• Extensive additional features focused on excellent user experience

Cons:

• Not as accurate in audio reproduction as other models

In the past, wireless headphones have always come with a compromise, either in sound quality or compatibility. As a result, they have rarely been considered for serious audio editing or mixing duties. The latest offering from Sony, the WH-1000XM4, while very similar to its predecessors, edges ever closer to a wireless consumer headphone we’d recommend for video editing on Macs or PCs. 

Make no mistake; these are still consumer headphones focused on pleasing sound, not on accuracy. That said, if you’re in the market for some excellent headphones for your own enjoyment and will also use them for work, or if your workflow is at its best cable-free, the WH-1000XM4 is a terrific option. 

The listener experience is enhanced with user control over the active noise reduction, which is great for distracting environments where you need to focus.  In addition, standard Bluetooth audio is improved upon with Sony’s proprietary LDAC technology. Add to this the excellent portability thanks to the foldable design and an included carry case, and these headphones have the potential to win a lot of professionals over to the consumer market.

Best on-ear design: Sennheiser HD25

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Why it made the cut: A favorite amongst DJs, these portable headphones offer an incredibly clear audio response for such a small package.

Key Features:

• Design: On-ear, closed-back
• Weight: ~4.9 ounces (dependant on headband choice)
• Frequency response: 16 – 22,000Hz

Pros:

• Superb performance from an on-ear design
• Replaceable everything for easy user servicing
• Different headband options available with rotating cups, etc. 
• Staggeringly light yet durable

Cons:

• Lower-mids bump can cause listening fatigue
• Limited comfort for some users

While most professional headphones feature an over-ear design, it’s not a choice for everyone. Some users dislike the typical low-frequency bump and feel isolated or confined by large ear cups. For these users, smaller supra-aural (on-ear) headphones are often the answer. 

Sennheiser’s HD25s have been used by DJs since the late eighties, thanks to their capacity for handling high sound pressure with little distortion. They also retain a realistic reproduction of low-end frequencies. Their durable design is also incredibly light and comfortable with a split headband and rotating ear cup options. 

Opting for these smaller, lighter headphones doesn’t mean sacrificing accuracy. While the HD25s have a small frequency bump around the lower mids, this is simply a different audio profile to the bass bump of over-ear competitors. 

Best under $100: Sony MDR-7506

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Why they made the cut: Born in the 90s, these headphones feature arguably one of the best frequency responses for video work, but you’ll have to judge if the design is classic or just tired. 

Key Features:

• Design: Over-ear, closed-back
• Weight: 8 ounces
• Frequency response: 10 – 20,000Hz

Pros:

• Neutral unflattering sound, ideal for addressing any harshness in your mixes
• Foldable design for work in the field
• Good noise isolation from comfortable, large ear cups

Cons:

• Heavy coiled cable can make headphones feel unbalanced
• Visual design isn’t for everybody.

The detailed mid-range of the Sony MDR-7506s has become a videographer favorite. They are ideal for recording, mixing, and editing speech and music with ambient noise. The neutral sound will allow you to edit your videos for speech clarity. Any peaks or harsh sounds really stand out. They are also an incredibly budget-friendly model. It’s hard to see what’s not to like from an audio performance standpoint.

In use, though, there are a couple of design choices that could do with an update. Fans of the MDR-7506 often replace the thin leatherette-covered ear pads with aftermarket options. These are readily available but add to the final cost. Harder to replace is the long, heavy, coiled cable that can make these headphones feel unbalanced.

Beauty is in the eye of the beholder, but it’s safe to say that the 90s visual design of these headphones is divisive. If you can overlook these issues, there are very few frequency profiles more suited to video work than the Sony MDR-7506.

Best open back: Beyerdynamic DT 990 PRO

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Why it made the cut: Excellent comfort and a focus on balanced frequency response make these a great choice for anyone looking to explore video editing using open-back headphones.

Key Features:

• Design: Over-ear, open-back
• Weight: 8.8 ounces
• Frequency response: 5 – 35,000 Hz

Pros:

• Exceptional audio performance in this price range
• Excellent comfort thanks to Beyerdynamic’s signature padded ear cups 
• Proven design and durable construction

Cons:

• 250 ohms resistance means you might need a standalone headphone amp or audio interface
• Large, open-back design isn’t ideal for working out and about

As the only open-back design on the list, this model is hard to compare to the other headphones we’ve looked at. Beyerdynamic’s  DT 990 PRO headphones don’t care about portability or noise isolation and leak audio for anyone around you to hear. Instead, everything about this design is focused on providing excellent reference audio for editing, mixing, and mastering. Featuring Beyerdynamic’s signature large, soft, padded ear cups, these headphones are beyond comfortable. And the transparent, flat frequency response means that listening fatigue is kept to a minimum. 

The focus on audio quality has led to these headphones being rated at 250 ohms. As a result, the headphone jack on your laptop will struggle to drive them. But if your work set up has a dedicated audio interface or mixing desk, you won’t be disappointed by the transparency these offer compared to closed-back models.

Best budget: Beyerdynamic DT 240 Pro

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Why they made the cut: It’s not often that new studio models can cut through in this crowded market, but Beyerdynamic’s lightweight and clean design delivers good fidelity in a portable package.

Key Features:

• Design: Compact over-ear, closed-back
• Weight: 6.9 ounces
• Frequency response: 5 – 35,000 Hz

Pros:

• Balanced frequency response with little coloration
• Portable and lightweight for travel
• Versatile for those who want their headphones for more than just mixing duties

Cons:

• Smaller ear cups mean these aren’t truly over-ear for many people.
• Very limited noise isolation

The most recent model on our list, Beyerdynamic’s  DT 240 Pro, challenges the assumption that studio headphones are by necessity large, heavy, isolating affairs. Modern design and a focus on portability mean these headphones will find a place in many videographers’ ever-changing workflows thanks to their versatility as both an excellent travel companion and a serious audio tool.

It’s hard to describe these headphones as truly over-ear, and as such, they provide very little in the way of noise isolation. But the lightweight swivel ear cups are well constructed and very comfortable. The audio profile is as balanced and accurate as we’d expect from the Beyerdynamic brand and can compete with many headphones twice the price. 

Things to consider before buying the best headphones for video editing work

It’s easy to read a brand’s website describing their headphones and think that frequency range and ohm ratings are the most important factors when choosing a product. This technical data, however, rarely makes a difference in day-to-day use.

Frequency range

Frequency range tells you how low a rumble and how high a squeal the headphones can reproduce. It is measured in Hertz, which just means the cycles per second of a sound wave. Most humans with good hearing can hear from 20 Hz all the way up to around 20,000 Hz. Many headphones can reproduce frequencies well above and below this. While this is interesting information to know, you simply won’t be able to hear the added frequency range. Instead, look for headphones with good transparency and accuracy across the frequency ranges you’ll be using. 

Ohm ratings

Ohm ratings are slightly more complicated but, in short, refer to the current drawn from the headphone amplifier in your audio interface, laptop, or smartphone. While most headphones will work with most amplifiers, pairing the right headphones with the right amplifier can improve volume and clarity. Lower Ohm ratings around 32-35 ohms will work best with smartphones and laptops, while ratings around 250 ohms should only be used with audio interfaces or dedicated mixers. 80 ohm headphones are good all-rounders for those who work between studio settings and mobile devices.

Comfort is king

When considering different headphone options, we can’t overstate the importance of comfort and durability. Performance, clarity, fidelity, and response count for nothing if you’re not happy wearing a certain pair of headphones throughout the working day for years to come. Many creatives develop a long-term relationship with a model of headphones, investing hours in getting to know its unique frequency curve and working confidently from the audio reference it provides. This kind of insight is only possible with a pair of headphones that fit well with your physical features and meet your comfort preferences. 

Open-back or closed-back

You’ll see headphones described as being either open or closed-back. These terms refer to if there are holes in the back of the headphone enclosure that allow the drivers to move more freely. Open-backed headphones generally don’t suffer from an undesired low-frequency boost that can occur in closed-back models. They are also often described as clearer sounding. However, they provide little to no isolation from ambient noise and sound louder to the people (or microphones) around you.  On the other hand, closed-back headphones are much less likely to annoy your co-workers and can provide great isolation from ambient noise. They also tend to be more durable as there are fewer places for dirt and moisture to get into the ear cups and affect the drivers. 

Wireless

Whether or not wireless operation is important to you will be a matter of personal taste. While yesteryear’s Bluetooth headphones often suffered from weight and battery life issues, these problems have largely been solved across the market. Almost all models now come in at a similar weight to their wired counterparts. And, battery life can last well over what a heavy user would expect throughout the day. 

On-ear or over-ear

A final choice to consider, linked to both comfort and audio quality (and constantly debated online), is on-ear versus over-ear headphones. These terms refer to if a model’s ear cups sit on or fit entirely over and around your ears. What is best for you will often depend largely on your own anatomy and how you wear your cans. There are great options in both on- and over-ear headphone models, and your choice will come down to personal taste.

FAQs

Final thoughts on the best headphones for video editing

For any videographer in the market for new headphones, it’s great to see a roster of classic, trusted studio designs joined by new options that implement cutting-edge technologies. There’s very little bad to say about any of the models we’ve covered, and we’re confident that you’ll now be equipped to choose some fantastic headphones that meet your needs. 

The post The best headphones for video editing in 2023 appeared first on Popular Photography.

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